Atomos Shogun 7 7" HDR Pro/Cinema Monitor-Recorder-Switcher
Product Highlights
- 7" 1920 x 1200 Touchscreen Display
- 1920x1280 Resolution
- Live mix & record up to 5 streams

$1,725.00 (inc GST)
Regular price:
$2,078.00
Atomos Sunhood for Shogun 7 Monitor (worth $150)
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Mind-blowing HDR monitoring
Apple ProRes and ProRes RAW recording and playback
Designed for professionals that push boundaries with the quality of their videos, this 7-inch screen elevates the image captured by any HDMI or SDI camera to new levels. With 1,000,000:1 contrast ratio and peak brightness of 3000nits, Shogun 7 is the ultimate all-in-one video production tool for creative storytelling.
Shogun 7 embraces the high production values of RAW and 4K HDR to give you complete control of every aspect of your production, on-set and in post. Meticulously monitor every pixel of SDR or HDR as it’s captured. Record up to 5.7K Apple ProRes RAW* or 4K Apple ProRes directly to affordable SSD drives avoiding the high costs and limitations of SD memory cards. You can even shoot RAW at high frame rates up to HDp240**.
Add to this asynchronous, multicamera switching and the ability to record in a range of other codecs, and you have more power to achieve your creative vision than ever before.
*Panasonic EVA1
**Sony FS Series and EVA1
Multicamera touchscreen switching
Live mix & record up to 5 streams
Take full advantage of 4 x SDI inputs and let Shogun 7 step into the role of a portable, quadview live switcher and recorder on your multicamera shoots. Record up to four 1080p60 streams simultaneously as separate ISOs and then cue and switch in real-time with a simple touch of the screen. Display the resulting mixed output (via HDMI or SDI) live on set. You can even output the switched feed for live streaming. Switching is completely asynchronous, eliminating the need for expensive locked sources and allowing the use of more affordable cameras.
Perfect exposure and colour
Fine tune every detail, while you shoot
A high-quality viewing experience gives you complete confidence to make educated on-set decisions.
With Shogun 7’s dynamic zoned backlight, blacks are deeper, whites are brighter, and the details of highlights are crystal clear. See what the camera sensor is capturing with unparalleled precision and use the advanced HDR waveform tools from log or RAW to ensure perfect exposure, colour and white balance. Shogun 7 gives you the control to maximise HDR exposure, while feeling comfortable with SDR finishing in post.
Simple monitoring tools put every detail of the image within your control. From custom 3D LUTs, false color profiles, adjustable focus peaking and movable 1:1 and 2:1 pixel magnification. In addition, RGB parade and vectorscopes ensure perfect colors on your calibrated monitor.
The Shogun 7 is at home on practically any camera
With its ProRes RAW recording capabilities it works with powerhouses like the Canon C300 mkII, Panasonic EVA 1 and Sony FS5 II to create stunning images with maximum detail and latitude for post production. In addition it can transform older cameras like the Sony FS700R into cinematic RAW shooting machines with advanced features like 4Kp60 and 2Kp240 RAW capture.
Use with your DSLR or mirrorless camera via HDMI to get up to 4Kp60 Apple ProRes and AVID DNx codecs for easy editing and archival quality. Add it to a high-end ARRI, RED or Sony Venice and you’ll get accurate HDR monitoring and all the tools you need to get your job done.
What's in the box?
- 1 x Shogun 7
- 1 x Master Caddy II
- 1 x 12V-3A AC power supply
- 1 x Carry Case
- 1 x Quick Start guide
- Brand
- Atomos
- Video Signal Conversion
- HDMI to SDI - SDI to HDMI -
- HDR
-
Gamma
Sony SLog / SLog2 / SLog3 Canon CLog / CLog2 / Clog3 ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600 Panasonic Vlog JVC JLog1 RED Log3G10 / RED LogFilm FujiFilm F-log Nikon N-Log PQ10k HLGGamut
Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / DCI P3 / DCI P3+ Nikon Bt2020 Panasonic V Gamut Arri Alexa Wide Gamut Rec709 / BT.2020 JVC RED WideGamut / RED DragonColor / DragonColor2 / RED Color2 / RED Color3 / RED Color4 /
- Power
-
Operating power
10 - 33WCompatible batteries
Atomos NP-F series and supporting accessoriesInput voltage (battery)
6.2V to 16.8VBattery time (based on 2 x 7.4V)
5200mAh - up to 1.5hrs (monitor & record 4K 30p)
7800mAh - up to 2.2hrs (monitor & record 4K 30p)DC In
1 x DC in (6.2 - 16.8V)
- Touchscreen
-
Size
7.2”Resolution
1920 x 1280PPI
325Aspect ratio
16:9 nativeColor Gamut
Up to Wide color gamut (105% DCI-P3)Look up table (LUT) support
3D LUT (.cube format)Anamorphic de-squeeze
2x, 1.5x, 1.33x
- Dynamic AtomHDR Technology
-
Backlight
Direct LEDZones
360 direct backlight individual LEDsLEDs
Wide Color Calibrated D65 or D95Bit depth
10-bit (8+2 FRC)Color
DCI-P3 105%Brightness
3000nits (+/- 10%)Control
On the fly real-time brightness analysis for LED controlHDR Conversion
Log/RAW to HLG or PQ
- Video Input
-
HDMI
HDMI 1 x HDMI (2.0)SDI
Quad Link 4 x 3G/6G SDI*, 4 x 3G-SDI, 2x 12G single link SDISignal
Uncompressed true 10-bit or 8-bit 422
(camera dependent)Genlock
Genlock input signal and output signal
- Video Input/Loop Out
-
HDMI
HDMI 1 x HDMI (2.0)SDI
Quad Link 4 x 3G/6G SDI*, 4 x 3G-SDI, 2x 12G single link SDISignal
Uncompressed true 10-bit or 8-bit 422
(camera dependent)Genlock
Genlock input signal and output signal
- Video Output (Play Out)
-
HDMI
1 x HDMI (2.0)SDI
2x 4K-SDI 12G or HD-SDI 3G/6GSignal
Uncompressed true 10-bit or 8-bit 422
(playback file dependent)
- Video Signal Conversion
-
HDMI to SDI
-SDI to HDMI
-
- Supported Codecs & Frame Rates (Record & Playback)
-
Raw to:
ProRes RAW
ProRes
CinemaDNG
(CDNG up to 30p only)
Avid DNxHDSony^^
FS700, FS-5, FS-7, FS-7MkII
4K DCI; 24/25/30/50/60p
4K UHD; not supported in camera
2K; 24/25/30/50/60/100/120/200/240p
1080; not supported in cameraCanon
C300MKII/C500 CDNG
4K DCI; 24/25/30p
4K UHD; 24/25/30p
2K; not supported in camera
1080; not supported in camera
Panasonic
VaricamLT, EVA1
5.7K DCI; 24/25/30p (EVA1 ProRes RAW only)
4K DCI; 24/25/30/50/60p
4K UHD; 24/25/30/50/60p
2K; 24/25/30/50/60/100/120/200/240p 1080;
not supported in cameraSupported base resolution & FPS from cameras
4K DCI: 23.98/29.9/59.94p
4K UHD: 23.98/29.9/59.94p
2K DCI: 23.98/29.9/59.94p
1080p: 23.98/29.9/59.94pSupported FPS & resolution from gaming consoles and graphic cards
1080p; 24/25/30/50/60/100/120
- Onboard Processing
-
Pulldown removal
24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown)4K UHD downscale for HD monitoring
Yes - Loop-out and playback (Not available in RAW)
- Audio In/Out
-
(48kHz PCM Audio)
HDMI
2 or 8ch 24-bit, camera dependentSDI
12ch 48kHz 24-bitAudio
2ch balanced XLR analogue in/outDynamic range
>90dBMax signal level
+24dBuMax analogue gain
+52dB48V Phantom
Power for MicHeadphone out
3.5mm 2ch.
- Remote Start/Stop
-
HDMI
Auto HDMI Trigger
Supported Protocols - Dolby Vision, Canon, Sony, Atomos Open StandardSDI
SDI trigger camera selectableOther
LANC control - Slave
- Playback
-
Playlist / Genlock / LTC
Yes / Yes / YesCDNG (Recorded content)
No supportProRes (Recorded content)
All recorded files can playback. Playback in slow motion >= 100fpsDNxHR / DNxHD (recorded content)
All recorded files can playback. Playback in slow motion >= 100fps
- Recording
-
Pre-roll record
Yes (HD 8s, 4K 2s)Custom time lapse
Yes*Supported media
2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drivesMaster caddy case
Master Caddy II (included)
75mm x 105mm x 12mmMaster caddy dock
2.5” SATA to USB 2.0/3.0Supported applications
Final Cut Pro / Media Composer / Premiere Pro / After Effects / EDIUS / Vegas Pro / Lightworks / Autodesk Smoke
- Weight
-
Without batteries & media
709g / 25ozDimensions (W x H x D mm)
214 x 127 45mmConstruction
Polycarbonate ABSMounting points
1/4”-20 screw mount. 1x top and 1x bottom
- Footnotes
-
24/30/60 frame rates also means 23.98/29.97/59.94 frame rates for all resolution
*Available in future firmware updates
^^ Optional unit (XDCA-FS7) needed for Raw output.”