Atomos Ninja V+ Pro Kit

SKU: ATM NJVPL2

Product Highlights

  • 1920 x 1080 Touchscreen Display
  • HDMI 2.0 Input/Output
  • Record up to 8K30 ProRes Raw
  • H.265 Codec Pre-Activated
  • 10-Bit Exterior Viewable Monitor
  • 1000 cd/m² Brightness
  • AtomHDR Mode with 10-Stop Dynamic Range
  • Records to 2.5" Mini or Standard SSDs
  • 10-Bit 4:2:2 ProRes & DNxHR Encoding
  • Single Sony L-Series Battery Slot

$1,790.00 (inc GST)
Regular price: $2,345.00

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The next level

The Ninja V+ Pro Kit has been designed to bridge the gap between compact cinema and mirrorless cameras that can output RAW via HDMI or SDI. With all the power of the Ninja V+ for 8Kp30, the Pro Kit adds 4Kp120 and 2Kp240 continuous recording via SDI. The Ninja V+ takes advantage of new Atomos Silicon AtomIC3, AtomOS 10 and the incredible efficiency of ProRes RAW to deliver these increased resolutions and frame rates. The new formats also integrate seamlessly into the timeline of your existing ProRes RAW or ProRes projects, without huge storage or processing overheads.

Ninja V+ Pro Kit and 4Kp120

The Ninja V+ Pro Kit comes packed with camera accessories and enables 4Kp120 ProRes RAW recording mode from the SDI RAW output of the Sony, FX9* and FX6. Both Atomos and Sony users will now be able to experience the benefits of working with images at a high frame rate and resolutions, whilst recording in pristine ProRes RAW.

*The FX9 requires the XDCA-FX9 Extension unit

Professional Accessories

Combined with the AtomX SDI module and some serious tuning under the hood, the Pro Kit provides the ability to record RAW over SDI from some of the best compact cinema cameras on the market. No RAW, no problem. The Ninja V+ monitor-recorder is a flexible tool that can work as a HDMI/SDI ProRes monitor-recorder.

Worry less when it comes to battery management and excess weight as the Pro Kit is designed to be powered via DTap from your camera battery or rig, and can also use a battery eliminator for studio power. Pro Kit also includes a AtomX 5” Sunhood providing increased monitoring options outdoors and reduced ambient light for when monitoring in HDR.

Powerful & versatile I/O

Adding dual 12G SDI connectivity expands the compatibility with other cameras to provide off board 10-bit 422 recording in edit ready codecs or as proxy files from RED or ARRI cameras allowing the file naming and timecode to also be applied to the recorded files. And of course, the Ninja V+ also provides support for RAW over HDMI from our ever-growing roster of mirrorless cameras including the Sony Alpha 7S III, Z CAM E2 Series, Nikon Z Series, LUMIX S Series, Olympus OM-D EM-1X, Olympus OM-D M1 MkIII and more.

The Flexibility to Suit any Production

In playback mode the Ninja V+ Pro Kit provides a lossless signal distribution with 2 x 12G SDI and 1 x HDMI 2.0 for simultaneous outputs up to 4K p60. When used in combination with the Ninja’s playlist functionality it provides a fast and convenient way to review content or show a highlight reel. RAW inputs can also be de-bayered in real time and non-standard high resolutions are processed to SMPTE standard output formats. Convert to HLG, PQ or your choice of 3D LUT can also be applied allowing for RAW or LOG content to be viewed with the correct application of artistic intent.

HDMI-to-SDI cross conversion

Adding the SDI module to the Ninja V+ Platform more than doubles it’s I/O functionality. To complement the inputs, HDMI or SDI connections can be cross converted, DCI cropped and 4k to HD down converts for video signals to provide a bridge between equipment such as EVFs, wireless TX/RX without the need for additional convertors.

The ProRes RAW Advantage

roRes RAW is now firmly established as the new standard for RAW video capture, with an ever-growing number of supported HDMI and SDI cameras. ProRes RAW combines the visual and workflow benefits of RAW video with the incredible real-time performance of ProRes.

The format gives filmmakers enormous latitude when adjusting the look of their images and extending brightness and shadow detail, making it ideal for HDR workflows. Both ProRes RAW, and the higher bandwidth, less compressed ProRes RAW HQ are supported.

Manageable file sizes speed up and simplify file transfer, media management, and archiving. ProRes RAW is fully supported in Final Cut Pro, Adobe Premiere Pro, Avid Media Composer 2020.10 update, along with a collection of other apps including ASSIMILATE SCRATCH, Colorfront, FilmLight Baselight and Grass Valley Edius.

The Pro Kit offers 3 ways to power your Ninja V+

In the Studio you can use the included DC power supply with lockable jack to connect to the Ninja V+ and with the international power plugs you’ll be covered wherever your work might take you.

On-set via the included DTap cable to connect to your choice of battery with a DTap output meaning your camera rig can run from a single power source.

On the move with a compact rig you also have the choice to run the Ninja directly from an optional NPF battery or any 4 cell NPF you might have in your kit bag.

What's in the box?

  • 1 x Ninja V+ unit (RAW over SDI Pre-Activated), H.265 (HEVC) codec Pre-Activated
  • 1 x AtomX SDI module
  • 1 x EVA Carry Case
  • 1 x 5″ Slip Case
  • 1 x Battery Eliminator
  • 1 x International DC Power Supply
  • 1 x Master Caddy II
  • 1 x DTap Cable
  • 1 x AtomX 5″ Sunhood
  • 1 x Quick Start Guide
  • Brand
  • Atomos
  • Weight
  • 0.36 kg
  • Construction and Control
  • Body Aluminium with ABS plastic
    Cooling Actively controlled fan and Heat Sink
    Tally light Rear and front
    Multi-function button Power / lock Screen
    AtomXpansion slot Yes
  • Power
  • Input voltage 6.2V to 16.8V
    Operating power 5.8-7.2v
    Compatible batteries NPF L series
    Built in battery No
    Battery Run time (Record) 5200mAh - up to 2hrs (monitor & record 4K 60p)
    Continuous power Via Optional AtomX SYNC Module
    DC in connector Via DC Jack on Battery eliminator
    Dtap Via Battery Eliminator and optional DTap to DC cable
  • Supported Media
  • Master Caddy I Not compatible
    SSDmini Native Size and Fit
    CFast II Via Supported cards via optional SSDmini CFAST II Adaptor
    File Naming Unit Name - Scene/Shot/Take
    File System ExFAT
  • Video Input
  • HDMI 1 x HDMI (2.0) 4k p60
    HDMI RAW Apples ProRes RAW up to 8k
    SDI Optional via AtomX SDI module
    SDI RAW Optional Activation Key required
    Bit Depth 8/10Bit Video / RAW up to 12Bit
    Video Chroma Subsampling 420 and 422
    HDCP copy protection Not supported
  • Video Output (Play Out)
  • HDMI 1 x HDMI (2.0) 4k p60
    SDI loop out Optional Via AtomX SDI module
    SDI Play out Optional Via AtomX SDI module
    Video Chroma Subsampling 422
    Bit Depth 10Bit Video
  • Metadata
  • HDMI RAW - white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut
    SDI Optional via AtomX SDI module
  • Video Signal Conversion
  • HDMI to SDI Optional Via AtomX SDI module
    SDI to HDMI Optional Via AtomX SDI module
  • Onboard Signal Processing
  • Pulldown Removal 24/25/30pSF > 24/25/30p (2:2 pulldown)
    4K UHD Downscale for HD Loop out - 4K UHD to FHD
    DCI Crop Loop out - 17:9 to 16:9 Crop
  • Remote Control
  • HDMI Auto HDMI Trigger, Supported Protocols - Canon, Sony
    SDI SDI trigger camera selectable
    Serial 2.5mm Jack LANC control and calibration via optional USB to serial cable
    Bluetooth LE Via optional AtomX SYNC module
    Wireless RF Via optional AtomX SYNC module
  • Audio In/Out
  • Audio Quality 24/48kHz
    Audio Codec PCM
    HDMI 8ch 24Bit, input dependent
    SDI 12ch 24Bit, input dependent
    Analogue Audio in 3.5mm 2ch.
    Analogue Audio Out 3.5mm 2ch.
    Headphone out 3.5mm 2ch.
  • Timecode/Sync
  • Embedded HDMI
    Time of day Yes, Time and Date
    LTC via 3.5mm audio Jack input (Requires post processing)
    Wireless SYNC Via Optional AtomX SYNC Module
  • Resolution and Frame Rates (Record, Monitor & Playback)
  • 8k RAW Only up to 30p via HDMI
    6k RAW Only up to 30p via HDMI
    5k RAW Only up to 30p via HDMI
    4k DCI 23.98/24/25/29.9/30/50/59.94/60p - HFR 100/120 via RAW over HDMI & SDI on selected cameras
    4k UHD 23.98/24/25/29.9/30/50/59.94/60p
    2K DCI 2046 x 1080 Optional via AtomX SDI module
    Anamorphic 3.5k: RAW up to 60p (from supported cameras only)
    FHD 1920 x 1080 Progressive 23.98/24/25/29.9/30/50/59.94/60/100/120p
    FHD 1920 x 1080 PsF converted to P and looped out PsF
    FHD 1920 x 1080 Interlaced 50/59.94/60i
    1280 x 720p 50/59.94/60p
  • Web Streaming
  • USB UVC Optional Via Connect 4k
  • Playback
  • Playlist Yes, Create customer play lists from full or sub clips
    Loop Yes, with user customisable in / out markers
    Apple ProRes Raw Yes, recorded clips
    Apple ProRes Yes, with Linear PCM audio
    Avid DNx Yes, with Linear PCM audio
    H.265 Yes, recorded clips
  • Recording
  • Recording CODEC

    Apple ProRes RAW ProRes RAW, HQ (Free activation key via visit my.Atomos.com)
    Apple ProRes LT, 422, 422HQ
    Avid DNxHD DNxHD 220x,220,145,36 (Free activation key via visit my.Atomos.com)
    Avid DNxHR LB, SQ, HQ, HQX. (Free activation key via visit my.Atomos.com)
    H.265 LQ,MQ,HQ in 8/10Bit, 422 and 420 Free activation key via visit my.Atomos.com


     

  • Recording Functions
  • Pre-roll record Yes (HD 8s, 4K 2s) - Not available in RAW
    Timelapse Yes
  • Color Pipeline
  • Gamma Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log, Olympus OM Log, Lecia L Log
    Gamut Bt2020, DCI P3, PDCI p3 65 Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020 Panasonic V Gamut Arri Alexa Wide Gamut Rec709 JVC LS300 Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
    3D LUT Display .Cube Format
    3D LUT Down Stream Loop out
    3DLUT 50/50 Yes
    Monitoring Modes Native / HLG / PQ / 3D LUT
    HDR output Conversion Log / HDR to HLG / PQ / Dolby Vision
  • On Screen Tools
  • Waveform Yes, 3 size / Position
    RGB parade Yes, 3 size / Position
    Vector scope Yes, 2 size / Position
    1 x Zoom Yes. 1:1 Pixel mapping for 4k
    2 x Zoom Yes
    Focus peaking Colour selected / threshold setting / colour
    False colour Yes, with Scale
    Zebra Yes, Adjustable
    Isolate color channel Blue Only
    Cine Frame Guides 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
    Social Frame guides 9:16, 1:1, 191:1, 4:5
    Safe areas Action and Graphic
    Grid markers 9 grid
    Anamorphic desqueeze 1.25x 1.33x , 1.5x ,1.8x ,2x
    Display Flip Vertical Only
  • External Device Control
  • Serial 2.5mm Jack Camera control for supported cameras via Optional USB to Serial Cable
    Bluetooth LE Via optional AtomX SYNC module to compatible devices
    Wireless RF Via optional AtomX SYNC module to compatible devices
  • Supported Applications
  • XML Cut tag EDL in FCPX XML
    Apple ProRes RAW Apple FCPX, Adobe Premier, After Effects, Avid Media Composer, GrassValley Edius, Assimilate Scratch, Baselight Film Light.
    Video Codecs All Applications with support for Apple ProRes and Avid DNX in .MOV wrapper
  • Environmental
  • Ambient operating temperature Up to 40 Degrees Celsius
  • Display
  • Touchscreen SuperAtom IPS panel (capacitive touch)
    Size 5.2"
    Resolution 1920 x 1080
    PPI 427
    Bit depth 10Bit (8+2 FRC)
    Backlight Type Edge lit
    Brightness (cdm2 / nits) 1000 +/- 10%
    Aspect ratio 16 : 9
    De-interlace mode I > P and PSF > P
    Color Gamut Rec.709
    Calibration support Atomos Calibrator with Xrite i1 Display Pro / Plus (Retail)
  • Physical Specifications
  • Dimensions (W x H x D mm) 151 x 91.5 x 31 mm
    Weight 360 g / 12.7 oz
    Mount points 1 x Anti rotation 1/4" / 3/8 top and bottom
  • Warranty
  • 1 Year
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