Sony PXW-FX9 XDCAM 6K Full-Frame Camcorder
- 6K Full-Frame Exmor R CMOS sensor
- 15 stops of dynamic range, dynamic HDR
- DCI 4K and UHD 4K up to 59.94p
- HD recording up to 150/180 fps
- Sony E-Mount
- 10-Bit 4:2:2 XAVC-I up to 600 Mb/s
- Auto-HD, AF, 7-Stop ND Filter, 3D LUTs
- Dual Base ISO up to 102,400, HLG mode
- Dual XQD card slots, 2K imager scan mode
- 12G/6G/3G-SDI & HDMI output up to 4K
Discover FX9, Sony’s full-frame 6K sensor camera with Fast Hybrid AF, Dual Base ISO, and S-Cinetone™ color science.
Realize beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh for a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable you to capture every nuance, from subtle shadow detail to specular highlights, with an immaculate color palette.
Capturing the impossible
Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness, and precision. Its impact is transformative for premium documentary, commercial, and event applications. Your ability to precisely capture your subject’s expression is further enhanced with Sony’s unique Eye AF.*
*Ver2.0 is required.
Shoot in comfort, expand your horizons
The FX9 revolutionizes full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension unit further expands the operational possibilities of the PXW-FX9. Ver.2.0 firmware adds HLG, User 3D LUTs, and more with yet more advanced features still to come.
*As of September 2019
6K Full-Frame "Exmor R" sensor for stunning picture quality
The back-illuminated full-frame 6K CMOS sensor uses Sony’s Exmor R technology for improved sensitivity and reduced noise. When recording at DCI 4K* Ultra HD resolutions, the ability to oversample and capture at 6K, combined with powerful image processing, ensures that subtle details and textures beyond those that can be captured by a conventional 4K sensor are retained while at the same time noise is reduced.
Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area, providing a wider angle of view, making it easier to gain a shallower depth of field. You can also shoot with Super 35mm lenses without compromise, capturing at 4K in super 35 mm with all the benefits of this advanced imaging sensor.
*DCI 4K (4096 x 2160 at 17:9 recording) requires Ver.2.0 or higher firmware.
4K Super 35
Super35 17:9 mode with PXW-FS7M2.
Full-frame 17:9 mode with PXW-FX9.
"Exmor" CMOS sensor
Conventional front-illuminated sensor as used in FS7 II
"Exmor R" CMOS sensor
Back-illuminated sensor as used in FX9
Phenomenal 15+ stops dynamic range for limitless expression
FX9 offers an exceptional 15+ stops of dynamic range—allowing for unprecedented creative freedom in color grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colorists can find color and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene.
*RAW recording requires Ver.2.0 or higher firmware, XDCA-FX9 and external recorder.
Dual Base ISO for stunning images in any light
Digital imaging sensors perform best at their base ISO as no unnecessary gain (voltage) is added to the sensor’s output. While a typical camera has a single base ISO, carefully chosen to provide the optimum settings for a wide range of shooting scenarios, the FX9’s dual ISO function offers far greater flexibility. Its low base sensitivity of ISO 800* is similar to most other digital cinema cameras offering an excellent balance between dynamic range and sensitivity for most normal types of production. The FX9 with its secondary High Base ISO of 4000* excels in low-light conditions without adding extra gain. Low-light scenes can be shot using High Base and 4000 ISO with near identical image quality to Low Base and 800 ISO. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next-generation responsiveness to changing conditions.
*ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode.
Cinematic color science with S-Cinetone™
S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colors, alluring facial tones and a softer tonal look—developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means your content looks fresh and vivid straight out of the camera, with subjects that really stand out while retaining plenty of latitude in post-production thanks to the high-performance full-frame image sensor.
Accelerate your workflow with User 3D Luts and HLG*
User Created 3D LUTs make it easy to customize FX9’s look to your preferences. It is possible to import LUTs files from an SD card and store up to 16 files on the FX9’s internal memory and switch between them as needed. This is particularly useful for shooting in S-Log3, allowing you to preview on camera whatever custom look you create.
FX9 can record HDR using S-Log3 or Hybrid Log Gamma (HLG).*
•S-Log3 is optimized for premium applications, capturing the maximum dynamic range from a sensor and providing ultimate creative freedom when color grading
•HLG* delivers content quickly without additional color grading making it an ideal choice for day-to-day shooting, viewing and editing workflows
*Ver.2.0 or higher firmware required
Selectable Frame Rates in Both Full-Frame & Super 35
Choose your desired frame rate from 1fps up to 180fps* for impressive quick- and slow-motion footage. FX9 creates an immersive image with a wide-angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting** that maximizes full HD image quality using full-frame 6K scan mode or Super 35 4K scan mode with advanced oversampling technology.
Super 35 2K imager scan mode prioritizes frame rates, so image quality may be reduced depending on the shooting environment. In this instance, the settings below are recommended.
- Cine EI mode: Set EI gain lower and exposure level higher instead
- Custom/SDR mode: Choose the gamma category setting of Original (S-Cinetone) or STD (STD1 to 6)
· *Up to 120fps with Ver1.0. Full-HD 180fps requires Ver.2.0 or higher firmware.
· **In full-frame scanning mode: selectable at 1–30fps/in super 35 scanning mode: selectable at 1–60fps. Quality priority setting is recommended if desired frame rate is available.
1 Requires Ver.2.0 firmware or higher.
2 Requires Ver.2.0 firmware or higher. Scanning area is cropped around 83% of full-frame and 122% larger than S35. (diagonal)
16-bit RAW capability*
16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.**
*RAW output will be enabled with Ver.2.0 or higher firmware.
**Compatible recorders to be announced by 3rd party.
RAW output using XDCA-FX9
1 Scanning area is cropped around 83% of full-frame and 122% larger than S35. (diagonal)
2 Limited to 10-bit during 100, 120fps high frame rate shooting.
3 This requires Ver.2.1 firmware or higher.
Capture the action with enhanced Fast Hybrid AF
Effortlessly track fast-moving subjects with pin-sharp focus, even when using wide-lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognizes and locks on to human faces.
The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects.
Eye AF & Focus Touch Control*
FX9 is the world’s first professional camcorder with Sony’s world-leading eye-tracking technology**. High-speed, high-precision image processing maintains a pin-sharp focus. During an interview or portraiture shoot, you can rely upon Eye AF to capture your subject’s most subtle expressions while you concentrate on the interview and framing.
Focus Touch Control allows you to precisely set the camera’s specific focus area by simply touching the LCD viewfinder. It’s fast and intuitive—ensuring your full creative control of FX9’s powerful AF technology.
* Eye AF and LCD Viewfinder Touch operation require Ver.2.0 or higher firmware.
** As of Apr 2020.
Customizable AF settings
The FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project.
7-level AF transition speeds from Fast—switching between subjects as quickly as possible—to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama.
5-level AF subject-shift sensitivity ranges from Locked-on—ignoring other moving subjects in the frame—to Responsive, which switches focus from one subject to another, ideal for snapping between race cars as they speed by.
Proven ergonomics & accessory compatibility
FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories, including U-series batteries, chargers, E-mount lenses, plus arms and lens adapters.*
The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style—handheld, at waist level, or shoulder-mounted. The smart grip also features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. The FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap.
To withstand the rigors of real-world shooting, FX9 has a robust magnesium chassis which is almost one third lighter than aluminum equivalent, while offering high impact resistance. FX9’s buttons, dials, and other parts are sealed to prevent dust and water spray from entering for even greater operational reliability.**
*BP-U30 and XDCA-FS7 are not compatible with the FX9.
**Dust- and water-resistance does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water.
Quick menu control with touch operation*
The FX9’s LCD Viewfinder has a quick access control menu for commonly accessed features. With a single touch, you can press to change key settings including:
- Codec, Imager Scan mode, Picture Size and frequency.
- Base ISO/Sensitivity
- Shooting Mode
- Audio Levels
Introduced with V2 firmware, the FX9’s quick access control menu uses a similar UI to Sony’s acclaimed VENICE digital cinematography camera.
*Requires Ver.2.0 or higher firmware.
Stable, shake-free handheld footage
Advanced image stabilization information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal. Unlike in-camera or lens stabilization, metadata combining FX9’s built-in gyro and lens information allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature requires Sony E-mount lens and allows for far faster processing than conventional NLE stabilization workflows.**
*Catalyst Browse/Catalyst Prepare Version 2019.2 or higher is required.
**Resolution and angle of view reduced compared to native footage. Lens optical image stabilization should be set to ‘OFF’ during shooting.
Networked for high mobility
The FX9 features internal 5 GHz* and 2.4 GHz Wi-Fi capability as standard. Just switch on and log onto your preferred network to enable a host of advanced wireless production features:
- Content Browser Mobile™** allows the PXW-FX9 to be controlled remotely from a smartphone or tablet computer via a Wi-Fi connection. Adjust the exposure level, zoom, Record/Stop and more via your mobile device — it’s ideal for single-operator shoots. One-touch authentication is also possible with smartphones offering NFC connectivity
- FTP Transfer allows content files to be sent over the Internet for remote storage on an FTP server even while shooting. In case of signal interruption, the system will automatically resume as soon as connection is restored
- Trimming allows you to set start and end points in a clip, eliminating time-wasting transfers of unneeded content
- XDCAM air can upload proxy footage to the cloud from multiple camera operators in the field, so editing can start immediately. Uploaded content can be accessed securely from any location. News teams can even start logging clips while shooting is still going on, saving even more valuable time when a story’s breaking
- Wired LAN port with optional XDCA-FX9 allows connection of the FX9 to the Internet with a standard Ethernet cable, allowing files to be streamed or transferred by FTP
- Dual Link Cellular is enabled with the optional XDCA-FX9 and uses two cellular networks in combination to provide an even more reliable network connection. The FX9 is compatible with standard USB cellular dongles from most networks. (Please check for the most appropriate service provider for your region. Standard network fees will apply.)
- High quality Sony QoS Streaming to Network RX Station (optional) and XDCAM air by Sony allows images to be streamed live for viewing at a remote location
*5 GHz support dependent on country/regional regulation. Only PXW-FX9V/9VK support 5GHz.** Content Browser Mobile™ application can be downloaded from Google Play Store or App Store. Wi-Fi operation cannot be guaranteed with all smartphones and tablet computers.
Click here for Sony PXW-FX9V brochure.
What's in the box?
- 1 x Body Cap
- 1 x Viewfinder
- 1 x Eyepiece
- 1 x Grip Remote Control
- 1 x AC Adapter
- 1 x BC-U1A Battery Charger
- 1 x BP-U35 Battery Pack
- 2 x Power Cord
- 1 x USB Cable
- 2 x Operating Guide
- 1 x CD-ROM "Manuals for Solid State Memory Camcorder"
Important Note: FX9 is available from Sony as four SKUs. PXW-FX9V (without lens) and PXW-FX9VK (with lens) support both 5Ghz and 2.4Ghz Wi-Fi. PXW-FX9T (without lens) and PXW-FX9TK (with lens) support 2.4GHz Wi-Fi. Availability is determined by country/regional regulations.MassApprox 2.0 kg (body only)
Approx. 4.8 kg (with Viewfinder, Eyepiece, Grip Remote Control, BP-U35 battery, SELP28135G LENS, an XQD memory card, Handle, MIC holder)Dimensions (W x H x D)146 x 142.5 x 229 mm (body without protrusions)Power RequirementsDC 19.5VPower ConsumptionApprox. 35.2 W (while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device)Operating Temperature0°C to 40°C
32°F to 104°FStorage Temperature-20°C to +60°C
-4°F to +140°FBattery Operating TimeApprox. 54min. with BP-U35 battery
(while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device)
Approx. 108min. with BP-U70 battery
(while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device)Recording Format (Video) [XAVC Intra]XAVC-I DCI4K 59.94p mode: VBR, MAX bit rate 600 Mbps, MPEG-4 AVC/H.264XAVC-I DCI4K 50p mode: VBR, MAX bit rate 500 Mbps, MPEG-4 AVC/H.264XAVC-I DCI4K 29.97p mode: VBR, MAX bit rate 300 Mbps, MPEG-4 AVC/H.264XAVC-I DCI4K 25p mode: VBR, MAX bit rate 250 Mbps, MPEG-4 AVC/H.264XAVC-I DCI4K 24p mode: VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264XAVC-I DCI4K 23.98p mode: VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264XAVC-I QFHD 59.94p mode：VBR, MAX bit rate 600 Mbps, MPEG-4 AVC/H.264XAVC-I QFHD 50p mode：VBR, MAX bit rate 500 Mbps, MPEG-4 AVC/H.264XAVC-I QFHD 29.97p mode：VBR, MAX bit rate 300 Mbps, MPEG-4 AVC/H.264XAVC-I QFHD 25p mode：VBR, MAX bit rate 250 Mbps, MPEG-4 AVC/H.264XAVC-I QFHD 23.98p mode：VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264XAVC-I HD 59.94p mode：CBG, MAX bit rate 222 Mbps, MPEG-4 AVC/H.264XAVC-I HD 50p mode：CBG, MAX bit rate 223 Mbps, MPEG-4 AVC/H.264XAVC-I HD 59.94i/29.97p mode：CBG, MAX bit rate 111 Mbps, MPEG-4 AVC/H.264XAVC-I HD 50i/25p mode：CBG, MAX bit rate 112Mbps, MPEG-4 AVC/H.264XAVC-I HD 23.98p mode：CBG, MAX bit rate 89Mbps, MPEG-4 AVC/H.264Recording Format (Video) [XAVC Long]XAVC-L QFHD 29.97p/25p/23.98p mode：VBR, MAX bit rate 100 Mbps, MPEG-4 H.264/AVCXAVC-L QFHD 59.94p/50p mode：VBR, MAX bit rate 150 Mbps, MPEG-4 H.264/AVCXAVC-L HD 59.94i/29.97p/50i/25p/23.98p/59.94p/50p mode：VBR, MAX bit rate 50 Mbps, MPEG-4 H.264/AVCXAVC-L HD 59.94i/29.97p/50i/25p/23.98p/59.94p/50p mode：VBR, MAX bit rate 35 Mbps, MPEG-4 H.264/AVCXAVC-L HD 59.94i/50i mode：VBR, MAX bit rate 25 Mbps, MPEG-4 H.264/AVCRecording Format (Video) [MPEG-2 Long GOP]MPEG2 HD422 mode：CBR, MAX bit rate 50 Mbps, MPEG-2 422P@HLRecording Format (Audio)LPCM 24 bits, 48 kHz, 4 channelsRecording Frame Rate[XAVC Intra]
XAVC-I DCI4K mode: 4096 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P, 24P
XAVC-I QFHD mode: 3840 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P
XAVC-I HD mode: 1920 x 1080/59.94P, 59.94i, 50P, 50i, 29.97P, 23.98P, 25P
XAVC-L QFHD mode: 3840 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P
XAVC-L HD 50 mode: 1920 x 1080/59.94P, 50P, 59.94i, 50i, 29.97P, 23.98P, 25P
XAVC-L HD 35 mode:1920 x 1080/59.94P, 50P, 59.94i, 50i, 29.97P, 23.98P, 25P
XAVC-L HD 25 mode:1920 x 1080/59.94i, 50i
[MPEG-2 Long GOP]
MPEG HD422 mode: 1920 x 1080/59.94i, 50i, 29.97P, 23.98P, 25PRecording/Playback Time [XAVC Intra]XAVC-I DCI4K/QFHD 59.94p
When using QD-G128A (128 GB): Approx. 22 minutes
When using QD-G64A (64 GB): Approx. 10 minutesXAVC-I DCI4K/QFHD 50p
When using QD-G128A (128 GB): Approx. 26 minutes
When using QD-G64A (64 GB): Approx. 13 minutesXAVC-I DCI4K/QFHD 29.97p
When using QD-G128A (128 GB): Approx. 43 minutes
When using QD-G64A (64 GB): Approx. 21 MinutesXAVC-I DCI4K/QFHD 25p
When using QD-G128A (128 GB): Approx. 52 minutes
When using QD-G64A (64 GB): Approx. 25 MinutesXAVC-I DCI4K 24p
When using QD-G128A (128 GB): Approx. 54 minutes
When using QD-G64A (64 GB): Approx. 26 MinutesXAVC-I DCI4K/QFHD 23.98p
When using QD-G128A (128 GB): Approx. 54 minutes
When using QD-G64A (64 GB): Approx. 26 MinutesXAVC-I HD 59.94p
When using QD-G128A (128 GB): Approx. 57 minutes
When using QD-G64A (64 GB): Approx. 28 MinutesXAVC-I HD 50p
When using QD-G128A (128 GB): Approx. 57 minutes
When using QD-G64A (64 GB): Approx. 27 MinutesXAVC-I HD 59.94i/29.97p
When using QD-G128A (128 GB): Approx. 105 minutes
When using QD-G64A (64 GB): Approx. 53 MinutesXAVC-I HD 50i/25p
When using QD-G128A (128 GB): Approx. 105 minutes
When using QD-G64A (64 GB): Approx. 53 MinutesXAVC-I HD 23.98p
When using QD-G128A (128 GB): Approx. 130 minutes
When using QD-G64A (64 GB): Approx. 65 MinutesRecording/Playback Time [XAVC Long]XAVC-L QFHD 29.97p/25p/23.98p
When using QD-G128A (128 GB): Approx. 125 minutes
When using QD-G64A (64 GB): Approx. 62 MinutesXAVC-L QFHD 59.94p/50p
When using QD-G128A (128 GB): Approx. 86 minutes
When using QD-G64A (64 GB): Approx. 42 MinutesXAVC-L HD 50 59.94i/29.97p/50i/25p/23.98p/59.94p/50p
When using QD-G128A (128 GB): Approx. 225 minutes
When using QD-G64A (64 GB): Approx. 110 MinutesXAVC-L HD 35 59.94i/29.97p/50i/25p/23.98p/59.94p/50p
When using QD-G128A (128 GB): Approx. 305 minutes
When using QD-G64A (64 GB): Approx. 150 MinutesXAVC-L HD 25 59.94i/50i
When using QD-G128A (128 GB): Approx. 410 minutes
When using QD-G64A (64 GB) Approx. 200 MinutesRecording/Playback Time [MPEG-2 Long GOP]MPEG HD422 59.94i, 50i, 29.97P, 23.98P, 25P
When using QD-G128A (128 GB): Approx. 220 minutes
When using QD-G64A (64 GB): Approx. 105 MinutesRecording Format (Proxy Audio)XAVC Proxy: AAC-LC, 128 kbps, 2 channelsRecording Format (Proxy Video)XAVC Proxy: AVC/H.264 Main Profile 4:2:0 Long GOP, VBR
1920 x 1080, 9Mbps
1280 x 720, 9Mbps
1280 x 720, 6Mbps
640 x 360, 3Mbps
- Camera Section
Imaging Device (Type)1.38 in full-frame, single-chip CMOS image sensorImaging Device (Pixel Count)20.5 M pixels (total)Built-in Optical FiltersClear, linear variable ND (1/4ND to 1/128ND)ISO SensitivityISO 800/4000 (Cine EI mode, D55 light source)S/N Ratio57 dB (Y) (typical)Shutter Speed64F to 1/8000 secSlow and Quick Motion FunctionFF 6K mode:
4096 x 2160
1 to 30 frames (29.97/25/24/23.98)
3840 x 2160, 1920 x 1080
1 to 30 frames (29.97/25/23.98)
FFc 5K, S35 4K mode:
4096 x 2160
1 to 60 frames (59.94p, 50p, 29.97/25/24/23.98)
3840 x 2160, 1920 x 1080
1 to 60 frames (59.94p, 50p, 29.97/25/23.98)FF 2K mode:
1920 x 1080
1 to 60, 100, 120, 150, 180 frames (59.94p, 29.97/23.98)
1 to 60, 100, 120, 150 frames (50p, 25)
FF 2K mode:
1920 x 1080
1 to 60, 100, 120 frames (59.94p, 50p, 29.97/25/23.98)
S35 2K mode:
1920 x 1080
1 to 60, 100, 120 frames (59.94p, 50p, 29.97/25/23.98)White BalancePreset, Memory A, Memory B (2000K-15000K)/ATWGain-3 to 27 dB (every 1 dB), AGCGamma CurveSDR mode: S-Cinetone, STD1, STD2, STD3, STD4, STD5, STD6, HG1, HG2, HG3, HG4, HG7, HG8, S-Log3
HDR mode: HLG (Natural/Live)Latitude15+ stop
- Lens Mount
LCD3.46 in (3.5 type) approx. 2.76 M dots
TypeXQD card slot (×2)
SD/MS card slot (×1) for saving configuration data
SD card slot also can be used for proxy video recording
Genlock Input/REF OutputBNC, Genlock IN/REF OUT SwitchableTC Input/TC OutputBNC, TC IN/OUT SwitchableAudio InputXLR-type 3-pin (female) (×2), line/mic/mic +48 V selectable
Mic reference: -30 to -80 dBuSDI OutputSDI OUT1: BNC, 12G-SDI, 3G-SDI (Level A/B), HD-SDI
SDI OUT2: BNC, 3G-SDI (Level A/B), HD-SDIUSBUSB device, micro-B (×1)Headphone OutputStereo mini jack (×1) -16 dBu 16 ΩSpeaker OutputMonauralDC InputDC jackRemoteStereo mini-minijack (Φ2.5 mm)HDMI OutputType A (x1)
- Built-in Microphone
- Omni-directional monaural electret condenser microphone
Supported FormatIEEE 802.11 a/b/g/n/acFrequency Band2.4 GHz bandwidth
5.2/5.3/5.6/5.8 GHz bandwidth*
*Depending on country/regional regulation and only on PXW-FX9V and PXW-FX9VK.SecurityWEP/WPA-PSK/WPA2-PSKNFCNFC Forum Type 3 Tag compliant