Fujifilm GFX Eterna 55

SKU: GFX-55

Product Highlights

  • Large-Format Sensor, Variable ND
  • 4K48 4:3 Open Gate, 6.3K24 Super 35
  • 14.5-Stop Dynamic Range, Dual-Native ISO
  • Internal ProRes 422 HQ, H.265, Proxies
  • Ext HDMI 10-Bit Uncompressed, 12-Bit Raw
  • 5" 16:9, 3" 3:2 Touchscreen LCD Screens
  • 20 Film Simulations, F-Log2/C 3D LUTs
  • FUJIFILM G and ARRI PL Lens Mounts
  • Ethernet, BLE with TG-BT1/ATOMOS AirGlu
  • CFexpress and SD Card Slots, USB-C Port
$21,999.00 (inc GST)
Free Gift

FREE with Purchase*:

  • 1-Year FUJIFILM Prestige GFX Membership
  • 1pc SD 256GB UHS-II Card
  • 1pc FUJIFILM NP-W235 Battery
  • 1pc Camera Bag
  • 1-Month Insurance

*to be redeemed from FUJIFILM X Space by 15 November 2026. Please bring along the original warranty card and invoice.

Quantity

GFX ETERNA 55 

ETERNATM– Legacy Reimagined for a New Era

ETERNA – a name that means ‘eternal’.
What once lived on celluloid now returns in the digital age.
The soul of cinema. The passage of time. Colors that stir emotion.
Introducing a new kind of filmmaking camera – crafted to reflect the creator’s eye and heart.
Infused with the depth of Fujifilm’s enduring wisdom, it’s built to create stories that stand the test of time.

The Large Format Sensor

FUJIFILM GFX ETERNA 55 – Designed for Filmmakers, Built Around a Large Format Sensor

At the heart of GFX ETERNA 55 lies a powerful large format sensor: 44x33mm (55mm diagonal), far exceeding the traditional 35mm full-frame. Its expansive surface records light in stunning detail, delivering a cinematic aesthetic with unique depth-of-field characteristics that standard formats simply can’t replicate.

Smooth tonal gradation. Subtle textures hiding in the shadows. Atmosphere lingering in the highlights.
Every flicker of light, every nuance of tone – faithfully rendered, even in low light, with remarkably low noise.
Skin tones are recorded with delicate precision, preserving their natural feel.

GFX ETERNA 55 is more than a tool. It’s a camera that lets filmmakers return to the essence of visual storytelling: the desire to speak through light.

SENSOR SIZE

43.8mm X 32.9mm

Approx. x1.7 the Size of Full Frame

The Fujifilm Look

Building on over 90 years of Fujifilm’s pioneering film color science, GFX ETERNA 55’s large format sensor delivers digital imagery with the depth, warmth, and nuanced tones traditionally reserved for film.

GFX ETERNA 55 is designed for filmmakers who seek to express their vision with authenticity and emotional impact – creating not just images, but stories that resonate.

Unleashing the Film Stocks

GFX ETERNA 55 features 20 Film Simulation modes.

Plus, by utilizing Fujifilm’s proprietary wide dynamic range, wide-gamut F-Log2 C/F-Gamut C, filmmakers can access ten expertly crafted Film Simulation LUTs* that replicate Fujifilm’s iconic film stocks in the digital format.

From Velvia and ASTIA to CLASSIC CHROME and ETERNA, these celebrated film stocks serve as a powerful creative post-production tool – rekindling the distinct Memory Color that has long been admired in photography.

This goes beyond simple color grading.
It’s digital storytelling infused with the rich heritage and expressive depth of analog film.

Electronic Variable ND Filter 

GFX ETERNA 55 features a built-in electronic variable ND filter designed specifically for its large format sensor. With a range from ND0.6 to 2.1, it provides up to seven stops of light reduction with smooth, precise control in increments as fine as ND0.015. Thanks to Fujifilm's proprietary precision engineering, this filter allows seamless and highly accurate density adjustments with minimal color shift - even during movie recording. By instantly adapting to changing lighting conditions on set, it enables filmmakers to dial in their intended exposure swiftly, greatly enhancing efficiency. 

Dual Base ISO

GFX ETERNA 55's large format sensor, measuring 44x33mm, is approximately 1.7times larger than a typical full-frame sensor. Its dual base ISOs of 800 and 3200 maximize performance, delivering smooth tonal gradations and exceptional low-noise capabilities. Even in challenging lighting conditions like shadows, backlighting, and nightime scenarios, it minimizes the digital noise often associated with such conditions, faithfully recording the atmosphere of the scene. GFX ETERNA 55's sensor is set to become a new well of inspiration for flimmakers.

Dynamic Range 

GFX ETERNA 55's wide range Log gamma, F-Log2 C, enables the large format sensor to achieve over 14 stops of dynamic range. From deep shadows to bright highlights, it records the subtle nuances of light without compromise, allowing precise adjustments aligned with the creator's vision in post-production. Combined with its wide color gamut recording, this opens up virtually unlimited possibilities for expression in color and contrast. 

Optical Low-Pass Filter 

GFX ETERNA 55's large format sensor is equipped with a specially designed optical low-pass filter (OLPF) that's optimized for filmmaking. It employs a four-point separation method effectively reducing moire and false colors. With a focus on the soft and refined image quality demanded by cinematic expression, GFX ETERNA 55 achieves highly detailed footage that maintains a pleasing smoothness without excessive sharpness. 

Autofocus 

With a GF Lens attached, GFX ETERNA 55 delivers highly accurate autofocus. The autofocus algorithm leverages the same advanced technology found in FUJIFILM GFX100 II, using deep - learning-based subject detection to quickly and precisely analyze scenes. This enables the camera to maintain sharp focus, even with the large format sensor's characteristic shallow depth-of-field. Pair it with the new FUJINON GF32-90mmT3.5 PZ OIS WR, and you get enhanced flexibility and responsiveness on set - an indispensable companion for any filmmaker. 

Various Formats

GFX ETERNA 55 supports 4:3 Open Gate recording, fully utilizing the expansive imaging area of its large format sensor.

In addition to FUJINON GF and Premista lenses, it also supports 8K/4K DCI recording with standard 35mm compatible PL lenses. Moreover, it is compatible with anamorphic lenses and Super 35 format lenses, allowing filmmakers to freely select the desired field of view according to their creative vision.

Combining the rich visual expression unique to a large sensor with broad compatibility across lens types and formats, this camera becomes a powerful creative tool – expanding the freedom of filmmaking to new heights.

Anamorphic Ready

GFX ETERNA 55’s large format 4:3 sensor is ideal for the unique cinematic qualities of anamorphic lenses.

The elongated aspect ratio, elliptical bokeh, and horizontal lens flare characteristic of such optics have been widely embraced in filmmaking to enrich storytelling. GFX ETERNA 55 offers real-time de-squeeze monitoring on set, providing a clear and accurate preview during shooting.

By combining the sensor’s vast image circle with the distinct properties of anamorphic lenses, GFX ETERNA 55 delivers unprecedented depth and scale to your creative output.

@Oren Soffer

Codec

Apple ProRes HQ, renowned for its reliability in post-production workflows, is the main recording codec on GFX ETERNA 55.

It offers a perfect balance of high-quality image fidelity and robust editing performance, enabling a seamless workflow from on set to final finishing. Covering up to 8K at 30fps, 4K at 60fps, and HD at 120fps, GFX ETERNA 55 records the rich tonal range and color of its large format sensor in formats optimized for any scenario.

Whether it’s cinematic feature films, commercials demanding flexible frame rates, or high-speed artistic projects,
GFX ETERNA 55’s versatility makes it an ideal tool across genres.

Ready for Filmmaking

A design that elevates the creative drive of every filmmaker.

Constructed with a magnesium alloy body, the camera balances lightweight portability with exceptional durability.
Every detail – from cable connectors and button layout to the handle – has been meticulously crafted for maximum convenience and robustness.

The sleek, minimalist form, inherited from GFX System, is sure to satisfy the discerning aesthetic of any user.

Bundled with Confidence

PL Mount Adapter 

In addition to the standard G Mount, GFX ETERNA 55 comes supplied with PL Mount Adapter G, allowing immediate use of PL Mount lenses without the need for additional accessories. The camera's essence lies in honoring the creative aesthetic that lenses - including anamorphic ones - bring to your work. 

5.0 - inch Large LCD Monitor 

Equipped with a 5.0 - inch display, this camera boasts a high - resolution panel with 6.22 million dots, making it remarkably easy to check focus and color accuracy - crucial for precise decisions on set. With a 2000-nit brightness, the screen remains clear and visible even under brightness, the screen remains clear and visible even under bright outdoor lighting or harsh backlight. The display latency is reduced to an absolute minimum for smooth real-time monitoring and focus control, without lag or frustration. Moreover, the proprietary color reproduction technology ensures faithful and consistent color rendering, for easy calibration that helps maintain color integrity throughout recording and post-production. 

Dedicated Handle

A dedicated handle is included, designed for both ease of use and advanced functionality. On the side of the handle is a dial for focus, zoom, or iris control. When paired with electronically controlled lenses, these dials enable smooth, precise adjustments for real-time fine-tuning. Switching the dial to the ND setting allows you to smoothly adjust the density of the electronic variable ND filter on the fly. The handle base features a sliding rail system, allowing for quick and effortless repositioning of the balance point to accommodate changes in overall weight when attaching batteries or lenses. 

Intuitive Operation

Dual Side Monitor

To meet the practical needs of shooting environments, GFX ETERNA 55 is equipped with independent 3.0-inch LCD monitors on both sides of the body. These displays provide real-time information such as recording status, exposure, audio levels, and recording formats, allowing both the cinematographer and assistant to simultaneously monitor essential data – perfect for on-set collaboration. 

Accessory Mounting Points

The top of the camera body and handle feature multiple accessory threads in two sizes (1/4in-20 and 3/8in-16) for easy attachment of accessories including monitors, microphones, and wireless transmitters.
This design eliminates the need for additional external rigs, streamlining the setup process.

Connector Ports

In addition to 12G-SDI and HDMI video output terminals, GFX ETERNA 55 is equipped with a wide range of professional-grade interfaces including GENLOCK, REMOTE, 12V DC power port, and LENS connector.
These support multi-camera setups, external control, and lens servo power supply, enabling flexible system configurations on set. Furthermore, all connectors are protected by sturdy guards designed to prevent physical damage.

Button Layout 

The control buttons are thoughtfully arranged to allow seamless operation without interrupting the shoot. In addition to seven customizable buttons, there are a total of 12 buttons integrated with the GUI on both side monitors. This setup enables intuitive and efficient camera operation, even for solo operators. 

Weather-Resistant Body

In addition to delivering high image quality and performance, GFX ETERNA 55 is also built to withstand harsh environments. The entire body features a dust- and water-resistant construction (except for V-Mount battery attachment terminal), making it reliable for use in challenging conditions such as dusty locations or sudden weather changes on outdoor sets.

Battery & Media

Battery

GFX ETERNA 55 is designed to accommodate both V-Mount and Fujifilm’s NP-W235 batteries. While using a V-Mount battery as the main power source, the NP-W235 battery can be mounted simultaneously, enabling hot-swapping of the V-Mount battery without interrupting power during shooting*1. Additionally, the NP-W235 battery alone provides approximately 30 minutes*2 of continuous operation, offering flexible options for short shoots or situations requiring reduced weight, such as drone or gimbal mounting.

*1 Not supported while recording
*2 Under 25℃ environment

Media

The use of high-speed CFexpress Type B cards as the primary recording media delivers a smooth, stable recording performance that comfortably handles high-resolution 8K/30p footage and high-bit-rate formats such as ProRes HQ. Additionally, a secondary SD card slot is provided allowing backup recording to the SD card when using H.265.

*When filming with CFexpress cards, we recommend using cards listed under “Operation confirmed CFexpress cards.” Also, be sure to update the camera body’s firmware to the latest version before using CFexpress cards.

What's in the box?

  • 1 x Li-ion battery NP-W235
  • 1 x AC power adapter AC-15VS
  • 1 x AC cable
  • 1 x Body cap
  • 1 x Handle
  • 1 x LCD Monitor
  • 1 x LCD Monitor hood
  • 1 x LCD attachment
  • 1 x PL-Mount Adapter
  • Model
  • FUJIFILM GFX ETERNA 55

  • Lens Mount
  • FUJIFILM G mount

  • Image Sensor
  • 43.8mm×32.9mm GFX 102MP CMOS II HS with primary color filter

  • Number of Pixels
  • 102 million pixels

  • Nd Filter
  • Electronic Variable ND Filter, 0.6(ND4)~2.1(ND128)

  • Gamma
  • Film Simulation / F-Log2 / F-Log2 C / F-Log / HLG

  • Sensor Cleaning System
  • Ultra Sonic Vibration

  • Image Processing Engine
  • X-Processor 5

  • Storage Media
  • SD Card (-2GB)

    SDHC Card (-32GB)

    SDXC Card (-2TB)

    UHS-I

    UHS-II

    Video Speed Class V90

    CFexpress Type B Card (-2TB)

    SSD (-2TB)

    *Please see the Fujifilm website (https://fujifilm-x.com/support...) to check memory card compatibility.

    *When filming with CFexpress cards, we recommend using cards listed under “Operation confirmed CFexpress cards.” Also, be sure to update the camera body’s firmware to the latest version before using CFexpress cards.

  • Movie
  • Sensitivity -

    Standard Output - AUTO ISO400~12800 (1/3 step)

    Extended Output - ISO100~ISO320 (1/3 step) ISO25600

  • Exposure Control
  • TTL 256-zone metering

    Multi

    Spot

    Average

    Center Weighted

  • Exposure Compensation
  • Movie -2.0EV~+2.0EV (1/4EV step)

  • Dynamic Range
  • 14+Stop (F-Log2 / F-Log2 C)

  • Shutter Speed
  • 1/8 sec~1/8000 sec, 5.6°~ 360°

  • Focus Mode
  • Continuous AF
    MF

  • Type
  • Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)

  • Low-light Performance
  • Contrast - 0.7EV GF80mmF1.7 attached

    Phase Detection - 3.7EV GF80mmF1.7 attached

  • AF Frame Selection
  • Single Point AF - 13×9 / 25×17 (Changeable size of AF frame)

    Wide/Tracking AF - AF: MULTI / TRACKING / AREA

  • Face/Eye Detection
  • Yes

  • Subject Detection
  • Yes - (FACE/Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train)

  • Monitor
  • Side -

    Aspect Ratio -

    3.0 inch Touch Screen Color LCD Monitor

    3:2

    Dots -

    Approx. 1.04 million dots

  • Recording Movie
  • File Format - MXF, MOV

    Apple ProRes 422 HQ, Linear PCM (Stereo sound 24bit / 48KHz sampling)Apple ProRes 422, Linear PCM (Stereo sound 24bit / 48KHz sampling)Apple ProRes 422 LT, Linear PCM (Stereo sound 24bit / 48KHz sampling)HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling)

  • Movie Compression
  • All Intra

    Long GOP

  • Notes
  • *Selectable mode will be changed depending on the “Image Format” setting.
    *For recording movies, use a CFexpress Type B card or SD memory card with UHS Speed Class 3 or higher.
    *For recording movies in 360Mbps, use a CFexpress Type B card or SD memory card with Video Speed Class 60 or higher.
    *For recording movies in 720Mbps, use a CFexpress Type B card or SD memory card with Video Speed Class 90 or higher.
    *PROJECT FPS cannot be set above the maximum RECORDING FPS.
    *Selectable bitrate will be changed depends on the setting.
    *Apple ProRes codec can be only recorded to CFexpress Type B card
    *Bitrate for Apple ProRes codec is not selectable.
    *Recording time can become short depending on the temperature and/or shooting conditions

  • Film Simulation Mode
  • 20 modes

    PROVIA/Standard
    Velvia/Vivid
    ASTIA/Soft
    Classic Chrome
    REALA ACE
    PRO Neg.Hi
    PRO Neg.Std
    Classic Neg.
    Nostalgic Neg.
    ETERNA/Cinema
    ETERNA BLEACH BYPASS
    ACROS
    ACROS + Ye Filter
    ACROS + R Filter
    ACROS + G Filter
    Black & White
    Black & White + Ye Filter
    Black & White + R Filter
    Black & White + G Filter
    Sepia

  • White Balance
  • Auto -

    White Priority
    Auto
    Ambience Priority

    Custom - Custom
    Color Temperature Selection - 2000K~11000K,CC(-16.00~+16.00)

  • Wireless Transmitter
  • Standard - IEEE802.11a/b/g/n/ac (standard wireless protocol)

    Encryption - WPA2, WPA3

    Access Mode - Infrastructure mode

  • Bluetooth
  • Standard - Bluetooth Ver. 4.2 (Bluetooth low energy)

    Operating Frequency - (Center Frequency) - 2402〜2480MHz

  • Terminal
  • Digital Interface - USB Type-C®

    HDMI Output - HDMI OUT connector (Type A)

    LAN Terminal - LAN connector 1000BASE-T、100BASE-TX、10BASE-T

    Others - ø3.5mm,stereo mini connector (Microphone)
    ø3.5mm, stereo mini connector (Headphone)
    ø2.5mm,connector (Remote Release )
    TC IN/TC OUT connector
    GenLock connector
    12G SDI OUT connector:max 4K59.94p 12G/6G/3G
    LENS connector(12-pin) :Power supply 14V-0.5A
    V-mount battery attachment terminal
    Handle connection terminal
    DC OUT 12V connector :2-pin LEMO :12V 3A
    LCD monitor cable connector
    DC IN connector:4-pin for AC-15VS

  • Power Supply
  • Power Supply -

    NP-W235 Li-ion battery (included)
    DC IN:AC-15VS AC power adapter (included)
    V-mount battery

  • Dimensions
  • Width - 110.8mm
    Height - 138.2mm
    Depth - 176.8mm

  • Weight
  • Excluding Battery And Memory Card - Approx. 2.0kg

  • Operation Environment
  • Operating Temperature - -10℃~+40℃

    Operating Humidity - 10% – 80% (no condensation)

  • Power Consumption
  • Standard power consumption:21W
    With lens, 4K 16:9, 59.94P, ProRes HQ, cooling fan Auto1,
    excluding accessories other than the LCD monitor and handle.
    Maximum power consumption:49W
    With lens, 4K 16:9, 59.94P, ProRes HQ, cooling fan High,
    including accessories, DC OUT 12V not connected.

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