Sony ILME-FX30 Cinema Line Camera (Body + XLR Handle Unit)

SKU: SO DVC FX30

Product Highlights

  • 26.1MP APS-C BSI CMOS Sensor
  • UHD 4K up to 120p
  • Compact Form Designed for Cage-Free Use
  • 10-Bit 4:2:2 XAVC S-I,16-Bit Raw Output
  • S-Cinetone/S-Log3/HLG, 14+ Stops DR
  • Phase Detection AF/Face Tracking/Eye AF
  • Standard ISO 100-32000 | Dual Base ISO
  • Dual CFexpress Type A/SDXC Card Slots
  • User LUTs & Timecode Sync Support
$3,269.00 (inc GST)
Regular price: $3,469.00

Quantity

S-CINETONE™ FOR A CINEMATIC LOOK WITHOUT GRADING
The FX30 incorporates S-Cinetone, based on the colour science behind the highly regarded colour and skin tones of the FX9 and FX6. It delivers the natural mid-tones that are essential to healthy-looking skin, plus soft colours and gorgeous highlights. Because S-Cinetone produces all this directly within the camera, it's easy to achieve a beautiful cinematic look without the necessity of post-production grading.

RECORDING FORMATS FOR IMAGE QUALITY AND POST-PRODUCTION
The FX30 can record 10-bit 4:2:2 video internally when using Long GOP or All-Intra compression, enabling fuller and more natural gradations and providing greater editing freedom. Recording in XAVC HS format roughly doubles compression efficiency, allowing detailed 10-bit video with 4:2:2 colour sampling at comparable or lower data rates, for even better image quality and manageable file sizes.

DUAL BASE ISO FOR CLEANER IMAGES IN LOW LIGHT
The Dual Base ISO feature provides two Base ISO settings; one at ISO 800 and one at ISO 2500. This allows you to select an appropriate noise floor, for clean images, as well as maximise the FX30’s dynamic range when shooting in both bright or low-light conditions. What's more, a wide 14+ stops of latitude minimises the risk of blown highlights or blocked shadows over a wide range of lighting conditions.

LOG RECORDING FOR SMOOTH CINEMATIC COLOUR GRADING
For full-scale productions, the S-Log3 gamma curve provided in the FX30 has been designed for smooth gradations, and to make it easier to achieve cinematic image quality when colour grading in post-production. Both S-Log3 and S-Gamut3.Cine offer high-quality colour reproduction over a wide latitude, and special care has been taken to adjust the camera's output to ensure that the highest image quality can be easily achieved during post processing.

NEW LOG SHOOTING MODES FOR OPTIMISED IMAGE QUALITY
Three modes are provided for recording with the S-Log3 gamma curve. Cine EI, used in Sony's high-end Cinema Line models, offers wide latitude and the highest possible image quality. Cine EI Quick simplifies setup by automatically switching the camera's Base ISO according to the selected Exposure Index (EI). And Flexible ISO provides the greatest flexibility for exposure settings. In addition, Sony's s709 has been added to the available LUT presets.

SEE AN ACCURATE PREVIEW OF THE FINAL IMAGE WITH USER LUTS
When recording with the S-Log3 gamma curve, the low-contrast image on the monitor can make it difficult to judge what the final image will look like. For a more accurate preview, the FX30 allows customisable LUTs to be applied to the LCD monitor preview and HDMI output, and also embedded in clips to facilitate post-production processing. In addition to the preset LUTs, up to 16 user LUTs can be imported into the camera via memory card.

DEPENDABLE, HIGHLY ACCURATE AUTOFOCUS
Sophisticated tracking features keep your subject in steady focus so you can concentrate on composition. Wide-area AF, with intelligent tracking, uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame. Real-time Eye AF ensures precise focus on the face and eyes (for humans, birds and animals), while Real-time Tracking provides reliable tracking based on Sony's unique, AI-based subject recognition.

SOPHISTICATED FOCUS FUNCTIONS TO HANDLE ANY SITUATION
The FX30 makes fast, accurate focusing as easy as possible. AF Assist smoothly switches between auto and manual focus, it enables easy rack focusing, and it can save time even when you are primarily using manual focus. Focus Map makes it easy to visualise depth of field while shooting, and Breathing Compensation provides a stable angle of view when rack focusing by minimising the field-of-view shift that can occur with some lenses.

FLEXIBLE MOTION WITH UP TO 4K / 120P RECORDING
The FX30 provides 4K recording at up to 120 frames per second. Extraordinarily smooth 5x (max.) slow-motion imagery with autofocus provides new expressive capability, opening a whole new world of creative potential.

ACTIVE MODE IMAGE STABILISATION SUPPORTS HANDHELD MOVIE SHOOTING
Active Mode is an optical in-body 5-axis image stabilisation mode that provides increased stabilisation for movie shooting. A precision gyroscope sensor accurately measures camera shake and compensates optically, making stable video possible even when shooting hand-held without a gimbal, while walking, and at 4K resolution.

METADATA TO FACILITATE EDITING WITH CATALYST
Sony's Catalyst Browse and Prepare software are ideal production partners for the FX30. The camera records five types of metadata: LUTs, image stabilisation, breathing, camera rotation and shot marks. These can be useful when previewing and preparing to edit in Sony's free Catalyst Browse or purchased Catalyst Prepare software.

PROXY RECORDING FOR EFFICIENT EDITING WORKFLOW
Low-bitrate HD proxy files can be recorded simultaneously in nearly all recording formats. The smaller proxy video files can be used for editing previews prior to final 4K online editing, reducing computer load and enabling a faster workflow.

NEW MAIN MENU FOR QUICK ACCESS TO FREQUENTLY USED ITEMS
The camera’s new list-style main menu gives you access to frame rate, shutter speed, and other essential shooting parameters. Main menu display can be assigned to a custom button so that parameters can be quickly checked and edited as needed prior to shooting.

STILL IMAGE SHOOTING FUNCTION
Because the FX30 can shoot stills as well as movies, it can be handy to use when you are location hunting. For example, you can use it to shoot stills that will be used in storyboards or pre-production presentations.

MULTI-THREAD BODY MAKES A CAGE UNNECESSARY
Designed for mobility and efficiency, the body of the FX30 features five thread holes (1/4-20 UNC) for accessories, making a cage unnecessary. While providing ample capacity for accessory attachment, the fact that no cage is required contributes to reduced system size and weight for easier handheld shooting. The XLR handle unit provides three additional thread holes so that accessories and add-ons can be stably and securely attached.

FLEXIBLE, HIGH-RESOLUTION TOUCH-PANEL LCD MONITOR
The FX30 features a side-opening vari-angle rear monitor that allows broad positioning and framing freedom for gimbal-mounted shots, handheld shots, very low ground-level shots, or whatever the shoot requires. The large 3.0 type 2.36 million-dot touch-panel LCD monitor provides clear viewing in bright outdoor settings. The function (Fn) menu can be displayed by swiping up on the monitor, for quick access to frequently used assigned functions.

MOVIE STANDBY SCREEN
The layout of the information and icon overlay that appears in standby mode has been optimised for movie recording so you can concentrate more fully on composition and framing. Only the most essential items are displayed in the black bands above and below the image area.

TALLY LAMPS
Recording (tally) lamps are provided on the upper front and rear of the camera. The REC button on the top of the camera is also illuminated and linked to the rear recording lamp. To make it clear when the camera is in record mode, a red frame appears on the monitor display so that the operator can easily confirm that recording is in progress.

VERTICAL ASPECT MARKERS
With the proliferation of smartphones and social media, creators are producing imagery with a variety of aspect ratios and orientations, with vertical orientation becoming more common. The FX30 offers a number of aspect markers that can be used to check framing while shooting in standard horizontal orientation. Aspect markers that are useful when shooting social media ads and vertical movies are included.

BROAD CONNECTIVITY FOR A WIDE RANGE OF SHOOTING NEEDS
An HDMI Type-A connector can be used to feed 4K, 16-bit RAW, or other movie formats to an external recorder or display device, with the option of status overlays included in the HDMI output. Other connectors include USB Type-C® , Multi/Micro-USB, mic, headphone, and a Multi Interface (MI) Shoe with built-in digital audio interface. The FX30 also supports UVC (USB Video Class) and UAC (USB Audio Class) standards and can serve as a high-performance streaming camera or webcam.

16-BIT RAW OUTPUT VIA HDMI
For demanding post-production workflows, 16-bit RAW output is available over an HDMI connection to compatible external recorders. XAVC HS 4K, XAVC S 4K or XAVC S-I 4K, and proxy files are simultaneously captured in-camera. RAW video output is 4672 x 2628 [16:9] resolution, exceeding DCI-4K resolution.

XLR CONNECTORS FOR HIGH-QUALITY EXTERNAL AUDIO INPUT
The XLR handle unit provides two XLR audio inputs to facilitate high-quality audio recording. With an optional XLR microphone, digital audio data can be transferred directly to the camera for outstanding audio quality without noise or signal degradation. There is also a 3.5 mm stereo mini jack for 4-channel recording, for compatibility with 2-channel and 4-channel audio formats.

TIME CODE SYNC
The FX30 can be synchronised (TC-IN) to a second camera that has a time code output terminal by connecting the FX30’s Multi/Micro USB terminal to the time code source via an optional VMC-BNCM1 adaptor and standard BNC cable.

TWO CFEXPRESS TYPE A COMPATIBLE MEDIA SLOTS
The camera's two media slots are compatible with CFexpress Type A cards as well as SDXC/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write/read speeds suitable for 4K movie recording at high bitrates. Dual slots enable either relay or simultaneous recording.

UNINTERRUPTED 4K 60P RECORDING
For uninterrupted 4K 60p recording, the FX30 features an innovative heat dissipation structure, including a unique Sony Σ (sigma) shaped graphite-alloy heatsink. A complete internal redesign optimised the camera’s airflow and heatsink placement. When required, a silent cooling fan provides ventilation for continuous recording at full resolution, with intake and exhaust air structurally isolated to maintain strong dust and moisture resistance.

DESIGNED TO RESIST DUST AND MOISTURE
Dust and moisture resistance refinements have been implemented everywhere in the FX30. Sealing is provided throughout the body as well as on the battery compartment cover, and the media slot has a double sliding cover and lock lever to keep water out. Cooling airflow, from inlet to exhaust, is completely isolated from the interior. All routes for dust and moisture entry have been examined to ensure reliable operation in challenging environments.

STURDY MAGNESIUM ALLOY BODY
The camera’s body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments.

IMAGING EDGE MOBILE™
Imaging Edge Mobile provides support for remote control from smartphones and tablets. It can also remotely control Touch Tracking and Touch Focus for convenient AF operation, and transfer captured still and movie files.

ENVIRONMENTALLY CONSCIOUS WITHOUT COMPROMISING PERFORMANCE
The Sony Group continues to accelerate our "Road to Zero" environmental plan, aiming to achieve zero environmental footprint by 2040. Measures have been taken to reduce the environmental footprint of this product at every stage of its life cycle. These include using recycled materials in production; managing environmental impact throughout the supply chain; using renewable energy in production; and using recyclable non-plastic packaging materials.

What's in the box?

  • 1 x Sony FX30 Digital Cinema Camera (Body + XLR Handle Unit)
  • 1 x Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh)
  • 1 x Sony AC Adapter
  • 1 x Sony ALC-B1EM Body Cap for E-Mount Cameras
  • 1 x Sony Multi Interface Shoe Cap
  • 1 x USB-A to USB-C Cable (USB 3.2)
  • Camera Type
  • Interchangeable lens digital camera
  • Lens Mount
  • E-mount
  • Dimensions
  • (W X H X D) (BODY WITHOUT PROTRUSIONS) (APPROX.)
    129.7 mm x 77.8 mm x 84.5 mm (5 1/8 x 3 1/8 x 3 3/8 inches) (body without protrusions)

  • Weight
  • (MAIN UNIT ONLY) (APPROX.)
    646 g (1 lI10:L10b 6.8 oz) (with battery and memory card included), 562 g (1 lb 3.8 oz) (body only)

  • Power
  • POWER CONSUMPTION
    [Movie] Approx. 5.6 W (with E PZ 18-105mm F4 OSS lens attached), [Still image] Approx. 3.5 W (with E PZ 18-105mm F4 OSS lens attached)

    BATTERY OPERATING TIME
    Approx. 115 min (Actual recording, CIPA standard) , Approx. 175 min (Continuous recording, CIPA standard), Approx. 570 shots (still images, CIPA standard)

  • Operation
  • OPERATING TEMPERATURE
    0°C to 40°C, 32°F to 104°F

    STORAGE TEMPERATURE
    -20°C to +55°C, -4°F to +131°F

  • Recording Format Video
  • XAVC HS
    [XAVC HS 4K] XAVC HS 4K 59.94p/50p 200Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 150Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p/23.98p 100Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 75Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 45Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 100Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 50Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 50Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 30Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 119.88p/100p 280Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 119.88p/100p 200Mbps 4:2:0 10bit MPEG-H HEVC / H.265

    XAVC S
    [XAVC S 4K] XAVC S 4K 59.94p/50p 200Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 59.94p/50p 150Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p 140Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 23.98p 100Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p 100Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p 60Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 119.88p/100p 280Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 119.88p/100p 200Mbps 4:2:0 8bit MPEG-4 AVC / H.264, [XAVC S HD] XAVC S HD 59.94p/50p/29.97p/25p/23.98p 50Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S HD 59.94p/50p/29.97p/25p/23.98p 50Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 59.94p/50p 25Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC HD 29.97p/25p 16Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 119.88p/100p 100Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 119.88p/100p 60Mbps 4:2:0 8bit MPEG-4 AVC / H.264,

    XAVC S-I
    [XAVC S-I 4K] XAVC S-I 4K 59.94p 600Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 50p 500Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 29.97p 300Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 25p 250Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 23.98p 240Mbps 4:2:2 10bit MPEG-4 AVC / H.264, [XAVC S-I HD] XAVC S-I HD 59.94p 222Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 50p 185Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 29.97p 111Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 25p 93Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 23.98p 89Mbps 4:2:2 10bit MPEG-4 AVC / H.264,

  • Recording Format Audio
  • LPCM 2ch (48kHz 16bit), LPCM 2ch (48kHz 24bit), LPCM 4ch (48kHz 24bit), MPEG-4 AAC-LC 2ch

  • Recording Frame Rate
  • XAVC HS
    [XAVC HS 4K] 3840x2160/119.88p, 100p, 59.94p, 50p, 23.98p

    XAVC S
    [XAVC S 4K] 3840x2160/119.88p, 100p, 59.94p, 50p, 29.97p, 25p, 23.98p, [XAVC S-I HD] 1920x1080/59.94p, 50p, 29.97p, 25p, 23.98p

    XAVC S-I
    [XAVC S-I 4K] 3840x2160/59.94p, 50p, 29.97p, 25p, 23.98p, [XAVC S-I HD] 1920x1080/59.94p, 50p, 29.97p, 25p, 23.98p,

  • Recording Playback Time
  • XAVC HS
    [XAVC HS 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 80 minutes, When using CEA-G80T (80GB) Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 100 minutes, When using CEA-G80T (80GB) Approx. 50 minutes, 59.94p/50p 100M When using CEA-G160T (160 GB) Approx. 150 minutes, When using CEA-G80T (80GB) Approx. 75 minutes, 59.94p/50p 75M When using CEA-G160T (160 GB) Approx. 190 minutes, When using CEA-G80T (80GB) Approx. 95 minutes, 59.94p/50p 45M When using CEA-G160T (160 GB) Approx. 290 minutes, When using CEA-G80T (80GB) Approx. 140 minutes

    XAVC S
    [XAVC S 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 80 minutes, When using CEA-G80T (80GB) Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 100 minutes, When using CEA-G80T (80GB) Approx. 50 minutes, [XAVC S HD] 59.94p/50p 50M When using CEA-G160T (160 GB) Approx. 270 minutes, When using CEA-G80T (80GB) Approx. 130 minutes, 59.94p/50p 25M When using CEA-G160T (160 GB) Approx. 430 minutes, When using CEA-G80T (80GB) Approx. 210 minutes

    XAVC S-I
    [XAVC S-I 4K] XAVC S-I 4K 59.94p/50p When using CEA-G160T (160 GB) Approx. 25 minutes, When using CEA-G80T (80GB) Approx. 10 minutes, [XAVC S-I HD] 59.94p/50p When using CEA-G160T (160 GB) Approx. 75 minutes, When using CEA-G80T (80GB) Approx. 35 minutes

    PROXY AUDIO
    XAVC Proxy: AAC-LC, 128kbps, 2 channels

    PROXY VIDEO
    1280 x 720 (Approx. 6Mbps), 1920 x 1080 (Approx. 9Mbps), 1920 x 1080 (Approx. 16Mbps)

  • RAW Output
  • HDMI: 4672 x 2628 (59.94p/50p/29.97p/25p/23.98p), 16bit

  • Other Video Function
  • VIDEO FUNCTIONS
    Audio Level Display, Audio Rec Level, TC/UB, Creative Look, Gamma Display Assist, PAL/NTSC Selector

  • Camera Section
  • SENSOR TYPE
    APS-C type (23.3 x 15.5 mm), Exmor R CMOS sensor

    PIXELS
    Approx. 20.1 megapixels (effective) for movies, Approx. 26.0 megapixels (effective) for Still images, Approx. 27.0 megapixels (total)

    SENSITIVITY
    [Movie] ISO 100-32000 equivalent, AUTO (ISO 100-6400, selectable lower limit and upper limit), [Still image] ISO 100-32000 (Expandable to ISO 50- 102400), AUTO (ISO 100-6400, selectable lower limit and upper limit)

    SHUTTER SPEED
    [Movie] 1/8000 to 1/4 (1/3 steps), up to 1/50 in AUTO mode (up to 1/25 in Auto slow shutter mode), [Still image] 1/8000 to 30 sec

  • Slow And Quick Motion Function
  • XAVC HS
    XAVC HS 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps

    XAVC S

    XAVC S 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, XAVC S HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps

    XAVC S-I
    XAVC S-I 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps[NF_39], XAVC S-I HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps

  • White Balance
  • WHITE-BALANCE MODES
    Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Underwater / Color Temperature (2500 to 9900K) & color filter / Custom

  • Gamma
  • GAMMA CURVE
    Off / PP1-PP6 / PP10-PP11, Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, ITU709 [800%], S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset

  • Latitude
  • 14+ stop (S-Log3)
  • Focus System
  • TYPE
    Fast Hybrid AF (phase-detection AF / contrast-detection AF)

    FOCUS POINT
    [Movie] 495 points (phase-detection AF), [Still image] 759 points (phase-detection AF)

    SENSITIVITY RANGE
    EV-3 to EV20 (ISO100 equivalent with F2.0 lens attached)

    FOCUS MODE
    [Movie] AF-C (Continuous AF), MF, [Still image] AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus

    FOCUS AREA
    [Movie] Wide / Zone / Center Fix / Spot / Expand Spot [Still image] Wide / Zone / Center Fix / Spot / Expand Spot / Tracking

    OTHER FOCUS FEATURES
    Eye AF ([Movie] Human (Right/Left Eye Select) / Animal (Right/Left Eye Select) / Bird), ([Still images] Human (Right/Left Eye Select) / Animal (Right/Left Eye Select) / Bird), Face detection (Face Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority), [Movie] AF Subj. Shift Sensitivity, [Movie] AF Transition Speed, [Still image] Focus Magnifier (APS-C: 6.1x / 12.1x)

  • Exposure Control
  • METERING SENSITIVITY
    EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)

    EXPOSURE MODES
    [Movie] [Movie] Programmed AE (P) / Aperture priority (A) / Shutter priority (S) / Manual Exposure (M) / Flexible Exp. Mode, [Still images] Intelligent Auto (Auto) / Program Auto (P) / Aperture priority (A) / Shutter priority (S) / Manual Exposure (M)

  • Recording Still Images
  • RECORDING FORMAT
    JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)

    IMAGE SIZE
    Image size [3:2] L: 6192 x 4128 (26M)、 M: 4384 x 2920 (13M)、 S: 3104 x 2064 (6.4M) [4:3] L: 6192 x 4128 (26M)、 M: 4384 x 2920 (13M)、 S: 3104 x 2064 (6.4M) [16:9] L: 6192 x 4128 (26M)、 M: 4384 x 2920 (13M)、 S: 3104 x 2064 (6.4M) [1:1] L: 4128 x 4128 (17M)、 M: 2912 x 2912 (8.5M)、 S: 2064 x 2064 (4.3M)

  • Playback
  • PLAYBACK FUNCTIONS
    Index view, Folder selection (Date / Still / Movie), Photo capture, 4ch audio monitoring, Auto Review (stills), Image orientation (stills), Protect (stills), Rating (stills), Display as Group (stills)

  • Interface
  • TC INPUT/TC OUTPUT
    Multi/Micro USB, TC IN

    AUDIO INPUT
    3.5 mm Stereo minijack, XLR handle: [INPUT1][INPUT2] XLR/TRS-type 3-pin(female) (x2), line/mic/mic +48V selectable, Mic Reference -40 to -60 dBu / [INPUT3] 3.5 mm Stereo minijack)

    USB
    USB Type-C® (x1, SuperSpeed USB 10 Gbps (USB 3.2) compatible), Multi/Micro USB (x1)

    HEADPHONE OUTPUT
    Yes (3.5 mm Stereo minijack)

    SPEAKER OUTPUT
    Built-in, monaural

    HDMI OUTPUT
    HDMI jack (Type-A), YCbCr 4:2:2 10bit / RGB 8bit

    MULTI INTERFACE SHOE
    With Digital Audio Interface

    BLUETOOTH
    Bluetooth Standard Ver. 5.0 (2.4GHz band))

  • Media
  • MEDIA TYPE
    CFexpress Type A / SD card (x2), Simult. Rec, Sort, Auto Switch Media, Copy

  • Monitoring
  • LCD
    7.5 cm (3.0-type), Approx. 2.36M dots, touch panel, Opening Angle:Approx. 176 deg., Rotation Angle:Approx. 270 deg.

  • Built In Microphone
  • Built-in, stereo

  • File System
  • FAT12, 16, 32, exFAT

  • Zoom
  • ZOOM FUNCTION
    Zoom ring rotate, Clear Image Zoom([Movie] Approx. 1.5x (4K), Approx. 2x (HD) [Still image] L: Approx. 2x, M: Approx. 2.8x, S: Approx. 4x ), Digital zoom([Movie] Approx. 4x [Still image] L: Approx. 4x, M: Aapprox. 5.7x, S: Approx. 8x), Smart zoom([Still image] M: Approx. 1.4x, S: Approx. 2x)

  • Still Image Function
  • SHUTTER
    Electronic shutter

    DRIVE MODES
    Single Shooting, Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket

    NOISE REDUCTION
    High ISO NR: Normal / Low / Off

    OTHER STILL IMAGE FUNCTION
    Electronic Front Shutter Curtain, Silent Shooting, Anti-flicker Shoot

  • Image Stabilization
  • TYPE
    Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)

    MODE
    [Movie] Active / Standard / Off, [Still image] On / Off

    COMPENSATION EFFECT (STILL IMAGES)
    5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50mm F1.4 ZA lens mounted.)

  • Custom Functions
  • Custom key settings, My Menu, My Dial Settings, Reg. Custom Shoot Set

  • Lens Compensation
  • Peripheral Shading, Chromatic Aberration, Distortion

  • Wi Fi Nfc
  • SUPPORTED FORMAT
    IEEE 802.11a/b/g/n/ac

    FREQUENCY BAND
    2.4 GHz band/5 GHz band

    SECURITY
    WEP/WPA-PSK/WPA2-PSK

  • FTP Transfer
  • Wired LAN (USB-LAN), USB Tethering, Wi-Fi

  • Supplied Accessories
  • Rechargeable Battery NP-FZ100

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