FujiFilm GFX100 RF

SKU: GFX-100RF/B

Product Highlights

  • 1 x Li-ion battery NP-W235
  • 1 x USB cable
  • 1 x Shoulder strap
  • 1 x Clip attaching tool
  • 1 x Lens cap
  • 1 x Lens hood
  • 1 x Hood cap
  • 1 x Adapter ring
  • 1 x Protector filter
  • 1 xHot shoe cover
$8,299.00 (inc GST)
Free Gift

FREE with Purchase*:

  • 1-Year FUJIFILM Prestige GFX Membership
  • 1pc SD 256GB UHS-II Card
  • 1pc FUJIFILM NP-W235 Battery
  • 1pc Camera Bag
  • 1-Month Insurance

*to be redeemed from FUJIFILM X Space by 15 November 2026. Please bring along the original warranty card and invoice.

Quantity

The One and Only

Large format photography has never been so portable. The compact, lightweight design of GFX100RF means its detail-rich 102-megapixel resolution can always be close at hand. With a precision-crafted aluminum body, tactile analog controls, and versatile aspect ratios, it brings creative joy to your hands, eyes, and heart.

Rangefinder Style

GFX100RF’s offset viewfinder offers a unique photographic experience that will help elevate your image making. True to other classic rangefinder-style models, its design is the perfect match for the small, fixed lens and quiet shutter, while also providing an active image-making experience where it’s easier to see and follow what lies beyond the frame.

A Small Body That Opens up a Big World

If a camera is smaller, you have more freedom.
If a camera is lighter, you can travel further.
If a camera is higher in resolution, memories are more vivid.
If you carry a camera every day, life is filled with endless possibilities.
Designed to fit any bag, GFX100RF weighs just 735g (1.62 lbs), making it an effortless carry. No matter where you are, the power of large format photography is always by your side, ready to deliver your own unique perspective.

Photography That Speaks to Your Senses

From the tactile pleasure of turning dials to the compositional creativity of the viewfinder, the design of GFX100RF delivers photographic pleasure in its purest form, seamlessly integrating you with the image-making process.

Aspect Ratio Dial

GFX100RF’s new Aspect Ratio dial lets you quickly select a frame shape to match your creative vision. From the iconic ratios that shaped photographic history – such as 5:4, 3:2, and 1:1 – to the ones that define Fujifilm’s legendary past – including 17:6, 3:4, and 65:24 – nine different options are available.

When set to the Custom Setting, users are free to select between any of the 9 available aspect ratios by using the Front Command Dial.

@Lee-Ann Olwage

Originating in cinema, later becoming a television staple, and now the default ration of the GFX System - utilizing the full height and width of the sensor - 4:3 is a versatile and timeless classic, suitable for any subject. 

@Yukio Uchida

The native ratio of Fujifilm X Series cameras, 3:2 shares the same proportions as the classic 35mm format. As a result, it has become synonymous with the compact, mirrorless models that are highly favored by today's image makers. 

@Craig Whitehead

The 16:9 aspect ratio, widely recognized for its cinematic proportions, is a favorite for creating immersive visuals. Popular among videographers and photographers alike, it delivers a modern, widescreen format perfect for storytelling and dynamic compositions. 

@Casey Cavanaugh

A unique aspect ratio, inspired by the legendary FUJIFILM TX-1 and TX-2 analog cameras. Slightly taller than 17:6, it retains a panoramic look with a more modest wide-angle effect. Ideal for street photography and fashion. 

@Jonas Dhyr Rask

An ultra-wide aspect ratio that creates a panoramic, cinematic effect. It gives a greater sense of wide angle surpassing the lens's focal length, making it appear as though the image extends beyond the edges of the frame. 

@Jonas Dhyr Rask

This vertical format was born from a wish to get more frames on 35mm film, but is now the mainstay of smartphone photography. A natural choice for portrait imagery. 

@Giulio Di Sturco

The 1:1 aspect ratio, known for its perfect symmetry, offers a timeless and balanced composition. Ideal for portraits, and still life, and creative storytelling, it draws the viewer's focus to the subject, making it a favorite for social media and artistic expression alike. 

@Mattias Zwick

Embodying the tranquility of 1:1 and the balance of 5:4, this versatile format is renowned for its compatibility with print media. it reached its peaked during the golden age of film, thriving in everything from commercial shoots to personal projects and remains a beloved aspect ratio among photography enthusiasts. 

@Yukio Uchida

Nothing short of photographic heritage, used in Large format cameras like 8 x 10 and 4x5. Now reborn in the digital era, it carries an air of homage, blending tradition with modern innovation. 

Dial in the Delight of Photography

The machined aluminum dials offer a tactile feel and an impeccably smooth movement to deliver an unparalleled user experience. Operating the dials is an interactive dialogue with your camera, with each adjustment of shutter speed, ISO, or aperture ring a moment to savor. Even the digital teleconverter transcends mere cropping or trimming, transformed into a physical delight through the action of its toggle selector.

Intuitive Interface, More Immersive Creative Experience

The UI provides all the necessary information while keeping your focus on image making. With the new 3:2 LCD, icons are optimally placed for clarity, while the new Surround View feature adds semi-transparent overlays or lines to show the area outside the frame, giving photographers greater freedom and a more immersive experience.

Precise, High-Magnification EVF

A viewfinder provides a crucial connection between the three-dimensional world and your two-dimensional image of it. GFX100RF’s 0.5-inch, 5.76 million dot OLED EVF has a maximum magnification of 0.84x to deliver a seamless connection between the two.

A Design That Inspires

GFX100RF combines cutting-edge technology with a classic design that evokes a sense of nostalgia. Accessible top-tier image quality. Holding the camera sparks excitement, and once you start using it, you’ll want to keep creating.

Uniquely Crafted

A camera isn’t just a tool for making images, it’s inherently part of the creative process. In GFX100RF, this philosophy comes to life with beautifully machined aluminum components, from top-plate and baseplate to aperture ring, hot shoe cover, and battery door. The sharp, defined edges, solid build quality, and unique warmth retained through its thermal properties create an unparalleled tactile experience. Each detail, crafted with the dedication of a master artisan, turns every interaction with the camera into a source of inspiration and joy.

Matte Black Box shown is not included with purchase. 

Accessories Designed to Perform, Crafted to Inspire

Included accessories are equally impressive. The adapter ring, which has the same high-quality feel and precision as the body, integrates seamlessly with the lens hood. This not only enhances the design but also makes the camera weather-resistant when combined with filters. The high-quality strap offers the perfect balance of portability and security, making it an ideal solution for safe, comfortable handling.

A Natural View

The 35mm focal length (equivalent to 28mm in 35mm format) is revered for its natural perspective, closely matched to our field of vision. Paired with the remarkable 102-megapixel large format sensor, it creates a synergy that records the world with stunning clarity and precision.

@Giulio Di Sturco
@Jonas Dhyr Rask
@Lee-Ann Olwage
@Ewa Meissner
@Bettina Filtner

Newly Designed 35mmF4 Lens

The lens uses ten elements in eight groups, including two aspherical lenses and Nano GI Coating to reduce reflections across the frame. This design keeps the lens compact while delivering excellent image quality. Sharpness is consistent from center to edges, while autofocus is smooth and accurate thanks to the DC motor. For the first time in GFX System, the lens includes a built-in 4-stop ND filter and leaf shutter that syncs flash at any shutter speed. These features give more creative control, especially when working outdoors in bright conditions.

Focusing Down to 20cm

With a minimum focus distance of just 20cm (7.87 in) from the front of the lens, GFX100RF invites you to get close enough to feel and experience the scene. As you move closer, the shallower depth-of-field creates stunningly soft bokeh to deliver a look only a large format camera can provide.

Overwhelming Image Quality

Image quality is one of the most important aspects of camera performance. It’s what allows you to record textures, delicate colors, and smooth tonal gradations – and create photos that can be cropped or printed large without losing detail. GFX100RF takes the core purpose of photography – recording moments – to the next level, making incredible results easy to achieve.


With its GFX 102MP CMOS II large format sensor, and the high-speed X-Processor 5 image processor, it sets a new standard. The redesigned pixel structure and microlens layout of the sensor provide a wide dynamic range, low noise, improved sharpness, and autofocus accuracy from edge to edge, combining to deliver the exceptional image quality GFX System is known for.

Effective Pixels
102 million pixels 

Sensor Size

43.8mm x 32.9mm

Film Simulation

Gone are the days of using different cameras and films: with GFX100RF, you can easily switch between 20 Film Simulation modes and nine aspect ratios from frame to frame. Plus, custom settings let you reflect your personal preferences, opening up endless creative possibilities.

PROVIA

Based on FUJICHROME PROVIA, a reversal film designed for professional use, this film simulation mode is great for all subject types, offering a neutral color reproduction. 

CLASSIC CHROME 

This film Simulation mode is designed to reproduce a look similar to documentary magazines of the 20th century. its low saturation and hard tonal gradation in shadows make it a perfect choice for documentary photography with a touch of realism. 

REALA ACE

REALA ACE combines faithful color reproduction with well-defined tonal gradation, making it suitable for a wide range of subjects and situations.

CLASSIC NEG. 

Based on SUPERIA, a color negative film loved by generations of photographers, this Film Simulation mode provides high-contrast tonal gradation. it adds depth and definition to colors by adjusting their shades in highlights and shadows, while reducing saturation. 

ACROS 

Based on ACROS, a monochrome film renowned for super-fine grain, this Film Simulation mode delivers rich shadow details and excellent sharpness. 

NOSTALGIC Neg.

Nostalgic Neg. evokes the color reproduction of iconic works from the seventies, which bought the possibilities of color expression to the world and established it as art, reminiscent of the New Color movement. The unique tonal rendering softens highlights with an amber hue while preserving detail in the shadows, allowing for vibrant and lyrical images. 

Redefining Large Format Performance

@Giulio Di Sturco

Fast and Accurate AF Performance

Thanks to improved algorithms, predictive autofocus and face/eye detection have evolved. Additionally, AI subject detection AF, which utilizes deep-learning technology, recognizes a wide range of subjects such as animals, vehicles, and birds. Tracking AF for video has also been enhanced, enabling easy subject tracking with touch controls.

Meeting the Needs of Visual Storytellers

GFX100RF delivers smooth 4K/30p 4:2:2 10-bit video recording. With a base ISO of 100, it offers low noise for shooting, while F-Log2 provides 13+ stops* of dynamic range for rich tonal expression and high flexibility in post-production. Additionally, it features digital image stabilization (DIS) to correct camera shake and walking motion during video recording.

Based on Fujifilm internal testing. 
  • Model
  • FujiFilm GFX100RF

  • Image Sensor
  • 43.8mm×32.9mm GFX 102MP CMOS II with primary color filter

  • Number Of Effective Pixels
  • 102 million pixels

  • Image Processing Engine
  • X-Processor 5

  • Storage Media

  • SD Card (-2GB)

    SDHC Card (-32GB)

    SDXC Card (-2TB)

    UHS-I

    UHS-II

    Video Speed Class V90

    SSD (-2TB)

    *Please see the Fujifilm website (https://fujifilm-x.com/support...) to check memory card compatibility.

  • File Format Of Still Image
  • DCF - Compliant with Design rule for Camera File system (DCF2.0)
    JPEG - Exif Ver.2.32
    HEIF - 4:2:2 10bit
    RAW - 14bit / 16bit RAW (RAF original format)
    TIFF - 8bit / 16bit RGB (In-camera Raw Conversion Only)
    Notes - *Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing

  • Number Of Recorded Pixels
  • [L] -

    4:3: 11648 x 8736
    3:2: 11648 x 7768
    16:9: 11648 x 6552
    65:24: 11648 x 4304
    17:6: 11648 x 4112
    5:4: 10928 x 8736
    7:6: 10192 x 8736
    1:1: 8736 x 8736
    3:4: 6544 x 8736

    [M] -

    4:3: 8256 x 6192
    3:2: 8256 x 5504
    16:9: 8256 x 4640
    65:24: 8256 x 3048
    17:6: 8256 x 2912
    5:4: 7744 x 6192
    7:6: 7232 x 6192
    1:1: 6192 x 6192
    3:4: 4640 x 6192

    [S] -

    4:3: 4000 x 3000
    3:2: 4000 x 2664
    16:9: 4000 x 2248
    65:24: 4000 x 1480
    17:6: 4000 x 1408
    5:4: 3744 x 3000
    7:6: 3504 x 3000
    1:1: 2992 x 2992
    3:4: 2240 x 3000

  • Lens
  • Type - FUJINON single focal length lens
    Focal Length - f=35mm (35mm format equivalent : 28mm)
    Max. Aperture - F4
    Lens Configuration - 10 elements in 8 groups (includes 2 aspherical elements)
    ND Filter - Yes (4 stops)

  • Aperture
  • F4 – F22 1/3EV step (controlled with 9-blade aperture diaphragm)

  • Minimum Focus Distance
  • (measured from the front of the lens) Approx. 0.2m

  • Digital Tele-Converter
  • 80mm(63mm)
    63mm(50mm)
    45mm(36mm)

    OFF
    *The values in parentheses are 35mm format equivalent

  • Sensitivity
  • Still Image -

    Standard Output -
    AUTO1
    AUTO2
    AUTO3
    ISO80~12800 (1/3 step)

    Extended Output -
    ISO40
    ISO25600
    ISO51200
    ISO102400

  • Movie
  • Standard Output - AUTOISO100~12800 (1/3 step)

    Extended Output - ISO25600

  • Exposure Control
  • TTL 256-zone metering
    Multi
    Spot
    Average
    Center Weighted

  • Exposure Modes
  • P (Program AE)
    A (Aperture Priority AE)
    S (Shutter Speed Priority AE)
    M (Manual Exposure)

  • Exposure Compensation
  • Still-5.0EV~+5.0EV 1/3EV step
    Movie-2.0EV~+2.0EV 1/3EV step

  • Image Stabilizer
  • Digital Image Stabilization - Yes (movie mode only)
    IS MODE BOOST - Yes (movie mode only)

  • Shutter type
  • Lens shutter

  • Shutter Speed
  • Mechanical Shutter -

    P Mode - 30sec. to 1/4000sec.

    A Mode - 30sec. to 1/4000sec.

    S/M Mode - 60min. to 1/4000sec.

    Bulb - up to 60min.

    Electronic Shutter -

    P Mode - 30sec. to 1/16000sec.

    A Mode - 30sec. to 1/16000sec.

    S/M Mode - 60min. to 1/16000sec.

    Bulb - 1 sec. Fixed

    Notes - The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.

    Mechanical + Electronic Shutter -

    P Mode - 30sec. to 1/16000sec.

    A Mode - 30sec. to 1/16000sec.

    S/M Mode - 60min. to 1/16000sec.

    Bulb - up to 60min.

    Notes -

    Mechanical shutter works until 1/4000sec.

    The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.

    Movie -

    4K/DCI4K - 1/4000sec. to 1/8 sec.

    FHD - 1/4000sec. to 1/8 sec.

    Notes - Cannot choose slower shutter speed than framerate for some settings.

  • Continuous Shooting
  • CH Electronic Shutter - Approx. 3.0fps

    JPEG - 1000+ frames
    Compressed RAW - 508 frames
    Lossless Compressed - RAW45 frames
    Uncompressed RAW - 20 frames
    Compressed RAW + JPEG - 41 frames
    Lossless Compressed RAW + JPEG - 29 frames
    Uncompressed RAW + JPEG - 16 frames

    Mechanical Shutter - Approx. 6.0fps

    JPEG - 296 frames
    Compressed RAW - 40 frames
    Lossless Compressed - 20 frames
    Uncompressed RAW - 17 frames
    Compressed RAW + JPEG - 19 frames
    Lossless Compressed RAW + JPEG - 15 frames
    Uncompressed RAW + JPEG - 12 frames

    Mechanical Shutter - Approx. 4.0fps

    JPEG - 1000+ frames
    Compressed RAW - 83 frames
    Lossless Compressed - 25 frames
    Uncompressed RAW - 18 frames
    Compressed RAW + JPEG - 38 frames
    Lossless Compressed RAW + JPEG - 21 frames
    Uncompressed RAW + JPEG - 13 frame

    CL Mechanical Shutter - Approx. 2.0fps

    JPEG - 1000+ frames
    Compressed RAW - 1000+ frames
    Lossless Compressed - 337 frames
    Uncompressed RAW - 26 frames
    Compressed RAW + JPEG - 312 frames
    Lossless Compressed RAW + JPEG - 42 frames
    Uncompressed RAW + JPEG - 20 frame

    Notes:
    No. of recordable frames are calculated based on a cold start
    Recordable frames depends on recording media
    Speed of continuous shooting depends on shooting environment and shooting frames

  • Drive Mode
  • AE Bracketing2 frames -

    3 frames
    5 frames
    7 frames
    9 frames
    *by 1/3EV step, up to ±3EV steps

    Filmsimulation Bracketing -
    Any 3 types of film simulation selectable

    Dynamic Range Bracketing -

    100%
    200%
    400%

    ISO Sensitivity Bracketing -

    ±1/3EV
    ±2/3EV
    ±1EV

    White Balance Bracketing -

    ±1
    ±2
    ±3

    Focus Bracketing -

    AUTO
    MANUAL

    Multiple Exposure -

    Yes (Max. 9 frames)
    Additive
    Average
    Bright
    Dark

  • Focus Mode
  • Single AF
    Continuous AF
    MF

  • Type
  • Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)

  • Low-light Performance
  • Contrast-0.0EV
    Phase Detection-3.0EV

  • AF Frame Selection
  • Single Point AF - 13×9 / 25×17 (Changeable size of AF frame)
    Zone AF - 3×3 / 5×5 / 7×7 / Custom1-3 from 117 areas on 13×9 grid
    All - Yes

  • Subject Detection
  • Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train)

  • Flash
  • Shoe Mount Flash -

    Sync. Mode
    1st Curtain
    2nd Curtain

    Flash Mode -

    TTL (TTL AUTO / STANDARD / SLOW SYNC. )
    MANUAL MULTI *When EF-X500 is set OFF

  • Hot Shoe
  • Yes (Dedicated TTL Flash compatible)

  • Viewfinder (EVF)
  • EVF - 0.5 inch OLED Color Viewfinder/Approx. 5.76 million dots
    Approx. 5.76 million dot

    Coverage Of Viewing Area Vs. Capturing Area - Approx. 100%

    Eyepoint - Approx. 24mm (from the Rear End of the Camera’s Eyepiece)

    Diagonal Angle Of View - approx. 40° (Horizontal angle of view: approx. 32° )Built-In Eye Sensor

    Magnification - 0.84x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1

    Diopter Adjustment - -5~+3m-1


  • Lcd Monitor
  • 3.15 inch Tilt-Type Touch Screen Color LCD Monitor

  • Aspect Ratio
  • 3:2

  • Dots
  • Approx. 2.10 million dots

  • Touch Screen
  • Shooting Mode -

    AF -

    Focus Area
    OFF
    Double Tap Setting (ON/OFF)
    Touch Function Setting (ON/OFF)
    EVF Touch Screen Area Setting

    Playback Mode -

    Swipe
    Pinch-in / Pinch-out
    Double-tap
    Drag

  • Movie Recording
  • File Format -

    MOV - Apple ProRes 422 HQ, Linear PCM (Stereo sound 24bit / 48KHz sampling)Apple ProRes 422, Linear PCM (Stereo sound 24bit / 48KHz sampling)Apple ProRes 422 LT, Linear PCM (Stereo sound 24bit / 48KHz sampling)HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling)MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling)

    MP4 - MPEG-4 AVC/H.264, AAC

  • Movie Compression
  • All Intra
    Long GOP

  • DCI4K (17:9)
  • File Size - 4096 x 2160

    Frame Rate -
    29.97p
    25p
    24p
    23.98p

    Bitrate -
    720Mbps
    360Mbps
    200Mbps
    100Mbps
    50Mbps

  • 4K (16:9)
  • File Size - 3840 x 2160

    Frame Rate -
    29.97p
    25p
    24p
    23.98p

    Bitrate -
    720Mbps
    360Mbps
    200Mbps
    100Mbps
    50Mbps

  • Full HD (17:9)
  • File Size - 2048 x 1080

    Frame Rate -
    59.94p
    50p
    29.97p
    25p
    24p
    23.98p

    Bitrate -
    720Mbps
    360Mbps
    200Mbps
    100Mbps
    50Mbps

  • Full HD (16:9)
  • File Size - 1920 x 1080

    Frame Rate -
    59.94p
    50p
    29.97p
    25p
    24p
    23.98

    Bitrate -

    720Mbps
    360Mbps
    200Mbps
    100Mbps
    50Mbps

  • Notes
  • Selectable mode will be changed depending on the “Image Format” setting.
    For recording movies, use a SD memory card with UHS Speed Class 3 or higher.
    For recording movies in 360Mbps, use a SD memory card with Video Speed Class 60 or higher.
    For recording movies in 720Mbps, use a SD memory card with Video Speed Class 90 or higher.
    Selectable bitrate will be changed depends on the setting.
    Apple ProRes codec can be only recorded to SSD
    Bitrate for Apple ProRes codec is not selectable.
    Recording time can become short depending on the temperature and/or shooting conditions

  • Film Simulation Mode
  • 20 modes
    PROVIA/Standard
    Velvia/Vivid
    ASTIA/Soft
    Classic Chrome
    REALA ACE
    PRO Neg.Hi
    PRO Neg.Std
    Classic Neg.
    Nostalgic Neg.
    ETERNA/Cinema
    ETERNA BLEACH BYPASS
    ACROS
    ACROS + Ye Filter
    ACROS + R Filter
    ACROS + G Filter
    Black & White
    Black & White + Ye Filter
    Black & White + R Filter
    Black & White + G Filter
    Sepia

  • Monochromatic Color
  • Yes

  • Grain Effect
  • Roughness - STRONG, WEAK, OFF

    Size - LARGE, SMALL

  • Color Chrome Effect
  • STRONG, WEAK, OFF

  • Color Chrome Blue
  • STRONG, WEAK, OFF

  • Smooth Skin Effect
  • STRONG, WEAK, OFF

  • Dynamic Range Setting
  • Still -

    Still AUTO / 100% / 200% / 400%

    ISO Restriction DR100%: No limit、DR200%: ISO160 or more、DR400%: ISO320 or more

    Movie -

    Movie 100% / 200% / 400%

    ISO Restriction DR100%: No limit、DR200%: ISO200 or more、DR400%: ISO400 or more

  • White Balance
  • Auto -

    White Priority
    Auto
    Ambience Priority

    Custom -

    Custom 1 - 3

    Color Temperature Selection -

    2500K ~ 10000K

    preset -

    Daylight
    Shade
    Fluorescent Light-1
    Fluorescent Light-2
    Fluorescent Light-3
    Incandescent Light
    Underwater

  • Clarity Setting
  • ±5 steps

  • Self Timer
  • Still -
    10sec.
    2sec.

    Movie -
    10sec.
    5sec.
    3sec.

  • Interval Timer Shooting
  • Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode)

  • Wireless Transmitter
  • Standard - IEEE802.11a/b/g/n/ac (standard wireless protocol)

    Encryption - WPA/WPA2 mixed mode, WPA3

    Access Mode -Infrastructure

  • Bluetooth
  • Standard - Bluetooth Ver.4.2 (Bluetooth low energy)
    Operating Frequency (Center Frequency) - 2402〜2480MHz

  • Terminal
  • Digital Interface - USB Type-C USB 10Gbp

    HDMI Output - HDMI Micro connector (Type D)

    Others -
    ø3.5mm, stereo mini connector (Microphone & Remote Release)
    ø3.5mm, stereo mini connector (Headphone)
    Hot shoe

  • Power Supply
  • NP-W235 Li-ion battery (included)

  • Battery Life For Still Images
  • Normal Mode - Approx. 820 frames

    Notes - Auto power save ON

  • Actual Battery Life Of Movie Capture
  • 4K - Approx. 100min. (29.97p)

    Full HD - Approx. 90min. (59.94p)

    Notes - Face detection is set to OFF

  • Continuance Battery Life Of Movie Capture
  • 4K - Approx. 140min. (29.97p)

    Full HD - Approx. 140min. (59.94p)

    Notes -
    Face detection is set to OFF
    Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard.

  • Dimensions
  • Width 133.5mm

    Height 90.4mm

    Depth 76.5mm

    (Minimum Depth) 37.2mm

  • Weight
  • Including Battery And Memory Card - Approx. 735g

    Excluding Battery And Memory Card - Approx. 654g

  • Operation Environment
  • Operating Temperature -10℃~+40℃

    Operating Humidity 10%~80% (no condensation)

  • Starting Up Period
  • Approx. 0.6sec.

  • Accessories
  • Li-ion battery NP-W235
    USB cable
    Shoulder strap
    Clip attaching tool
    Lens cap
    Lens hood
    Hood cap
    Adapter ring
    Protector filter
    Hot shoe cover

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