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Sony ILME-FX3A Full-frame Cinema Line Camera

SKU: FX3A

Product Highlights

  • 12.1MP Full-Frame CMOS Exmor R Sensor
  • UHD 4K up to 120 | 1080p up to 240
  • 10-Bit 4:2:2 XAVC S-I,16-Bit Raw Output
  • S-Cinetone/S-Log3/HLG, 15+ Stops DR
  • Detachable Dual XLR/TRS Adapter Handle
  • 80 to 409,600 Expanded ISO Range
  • Dual CFexpress Type A/SDXC Card Slots
$4,849.00 (inc GST)
Regular price: $5,959.00

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Full-frame image capture even in dim light

The FX3's full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80-102400 for movies is expandable all the way up to 409600.

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Wide dynamic range, wider creative expression

The FX3 offers an exceptional 15+ stops1 of dynamic range to handle settings ranging from well-lit interiors and outdoors in mid-day to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in colour grading.

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Stunning bokeh and full-frame creativity

Capture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh and cinematic freedom made possible with a full-frame sensor.

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10-bit S-Log3 and HDR recording for smooth gradations

S-Log3 gamma curve and S-Gamut3.Cine enable shooting with high-quality colour reproduction over a wide dynamic range, and they make it easy to match up footage with shots from other Cinema Line cameras during post-production. In addition, an HLG (Hybrid Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production.

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16-bit RAW HDMI output

For demanding post-production workflows, 16-bit RAW output3 is available over HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy, files are simultaneously captured in-camera. RAW video output is 4264 x 2408 [16:9] resolution, exceeding DCI-4K resolution4.

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Enjoy rich detail and realistic colour

The FX3 is capable of 4K internal recording, 10-bit depth and 4:2:2 colour sampling with All Intra on top of Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom.

[1] All-Intra (All-I) [2] Long-GOP [3] Group of Pictures

Illustration

Compensation for focus breathing

With the breathing compensation function turned on, the camera allows you to shoot movies with more stable images when you used with compatible lenses5. This setting is available in software version 3.00 or later.

The breathing metadata can also be recorded so that you can apply compensation with the latest Catalyst Browse/Prepare Plugin software during post-production.

Designed for comfortable solo shooting

Dependable, highly accurate autofocus

The wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame1. The Fast Hybrid AF system delivers precise focusing even when shooting at a shallow depth of field and at high frame rates of 120p in 4K (QFHD)2.

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Sophisticated tracking AF for steady focus

Sophisticated tracking features keep your subject in steady focus, so you can concentrate on composition. Real-time Eye AF ensures precise focus on the face and eyes, while Real-time Tracking is powered by Sony's unique AI-based subject recognition algorithms.

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Smooth transitions and touch focus control

The FX3 includes AF Transition Speed in seven settings, to easily create rack focus, and five AF Subject Shift Sensitivity settings, which allows the user to customise how easily AF will switch or stay with the locked-on subject. You can also select the subject you want to focus on simply by touching the LCD monitor.

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High-mobility performance wherever you go

With its compact size and light weight, the FX3 is designed for high mobility. The attached handle and cage-free accessory mounting holes make for fast setup, fluid shooting and quick pack-down. The main body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments

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Attachable XLR handle

A handle equipped with an XLR adaptor with two full size XLR terminals can be attached to the Multi Interface (MI) Shoe on the camera for more comfortable and stable camerawork in difficult shooting situations, such as low-position shots.

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In-camera image stabilisation

Active Mode3 4 5 is an optical in-body 5-axis image stabilisation system that provides increased stabilisation for movie shooting. To preserve image quality, the gyroscope sensor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held without gimbal use, while walking, and at 4K resolution.

[1, 2] angular shake (pitch and yaw) [3, 4] shift shake (X and Y axes), [5] rotational shake (roll on Z axis

Illustration

Image stabilisation and easier editing with Catalyst

Camera-shake metadata is recorded by the built-in gyro, allowing handheld footage to be smoothed out and stabilised in post-production. Using Sony's Catalyst Browse / Catalyst Prepare desktop application6 you can easily balance automated shake-compensation and image-trimming levels. Catalyst can also make effective use of recorded camera-rotation data.

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Expandability and operability for content creators

Front and rear tally lamps


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Vari-angle LCD touch-panel monitor

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Essential controls for efficient solo shooting

In addition to six customisable buttons, frequently used controls are within easy one-handed reach, leaving your other hand free for lens operation or balance. And usability is enhanced by multiple screw holes on the body and handle, allowing accessories to be attached directly.

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Uninterrupted 4K/60p recording

For uninterrupted 4K/60p recording, the FX3 is designed with an innovative heat dissipation system. Heatsink placement, airflow structure and a silent cooling fan work to optimise cooling even during long shoots.

XLR adaptor and digital input for quality audio

In addition to the camera's convenient built-in microphone, a variety of professional microphones can be connected externally via the full-size XLR connectors on the handle through a digital audio interface via Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel. Digital audio recording is also possible by attaching a digital microphone such as the ECM-B1M even when the handle is not used.

Dual high-speed media slots

Designed for next-generation filmmaking requirements, CFexpress Type A cards support high bit-rate recording. The camera's slots are ready for CFexpress Type A as well as conventional SDXC UHS-I and UHS-II cards, and having two identical media slots makes relay or backup shooting possible.


What's in the box?

  • 1 x Sony ILME-FX3A Full-frame Cinema Line Camera (Body only)
  • 1 x Sony NP-FZ100 Battery (2280mAh)
  • 1 x Sony BC-ZD1 Dual-Battery Charger for NP-FZ100 Batteries
  • 1 x Sony XLR-H1 XLR Handle Unit
  • 1 x Body Cap
  • 1 x M1 Accessory Shoe Cap
  • 1 x Handle Shoe Cap
  • 1 x Accessory Cold Shoe Kit
  • General

  • CAMERA TYPE

    Interchangeable lens digital camera

    LENS MOUNT

    E-mount

  • Size Weight

  • WEIGHT (MAIN UNIT ONLY) (approx.)

    715 g (1 lb 9.3 oz) (with battery and memory card included), 630 g (1 lb 6.3 oz) (body only)

    WEIGHT (INCLUDING SUPPLIED ACCESSORIES) (approx.)

    1.015 kg　(2 lb 3.8 oz) (with XLR Handle, battery pack, SD card)

    DIMENSIONS (W X H X D) (BODY WITHOUT PROTRUSIONS) (approx.)

    129.7 mm x 77.8 mm x 84.5 mm (5 1/8 x 3 1/8 x 3 3/8 inches) (body without protrusions)

  • Power

  • POWER CONSUMPTION

    [Movie] Approx. 7.3W (with FE 28-70mm F3.5-5.6 OSS lens attached), [Still image] Approx. 3.5W (with FE 28-70mm F3.5-5.6 OSS lens attached)

    BATTERY OPERATING TIME

    Approx. 95 min (Actual recording, CIPA standard) , Approx. 135 min (Continuous recording, CIPA standard), Approx. 570 shots (still images, CIPA standard)

  • Operation

  • OPERATING TEMPERATURE

    0°C to 40°C, 32°F to 104°F

    STORAGE TEMPERATURE

    -20°C to +55°C, -4°F to +131°F

  • Video Format

  • XAVC HS

    [XAVC HS 4K] XAVC HS 4K 59.94p/50p 200Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 150Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p/23.98p 100Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 75Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 45Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 100Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 50Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 50Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 30Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 119.88p/100p 280Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 119.88p/100p 200Mbps 4:2:0 10bit MPEG-H HEVC / H.265

    XAVC S

    [XAVC S 4K] XAVC S 4K 59.94p/50p 200Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 59.94p/50p 150Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p 140Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 23.98p 100Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p 100Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p 60Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 119.88p/100p 280Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 119.88p/100p 200Mbps 4:2:0 8bit MPEG-4 AVC / H.264, [XAVC S HD] XAVC S HD 59.94p/50p/29.97p/25p/23.98p 50Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S HD 59.94p/50p/29.97p/25p/23.98p 50Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 59.94p/50p 25Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC HD 29.97p/25p 16Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 119.88p/100p 100Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 119.88p/100p 60Mbps 4:2:0 8bit MPEG-4 AVC / H.264,

    XAVC S-I

    [XAVC S-I 4K] XAVC S-I 4K 59.94p 600Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 50p 500Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 29.97p 300Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 25p 250Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 23.98p 240Mbps 4:2:2 10bit MPEG-4 AVC / H.264, [XAVC S-I HD] XAVC S-I HD 59.94p 222Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 50p 185Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 29.97p 111Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 25p 93Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 23.98p 89Mbps 4:2:2 10bit MPEG-4 AVC / H.264,

    XAVC S-I DCI

    [XAVC S-I DCI 4K] XAVC S-I DCI 4K 59.94p 600 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I DCI 4K 50p 500 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I DCI 4K 29.97p 300 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I DCI 4K 25p 250 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I DCI 4K 23.98p/24.00p 240 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264

  • Audio Format

  • LPCM 2ch (48kHz 16bit), LPCM 2ch (48kHz 24bit), LPCM 4ch (48kHz 24bit), MPEG-4 AAC-LC 2ch

  • Recording Frame Rate

  • XAVC HS

    [XAVC HS 4K] 3840x2160/119.88p, 100p, 59.94p, 50p, 23.98p

    XAVC S

    [XAVC S 4K] 3840x2160/119.88p, 100p, 59.94p, 50p, 29.97p, 25p, 23.98p, [XAVC S HD] 1920x1080/59.94p, 50p, 29.97p, 25p, 23.98p

    XAVC S-I

    [XAVC S-I 4K] 3840x2160/59.94p, 50p, 29.97p, 25p, 23.98p, [XAVC S-I HD] 1920x1080/59.94p, 50p, 29.97p, 25p, 23.98p

    XAVC S-I DCI

    [XAVC S-I DCI 4K] 4096x2160/59.94p, 50p, 29.97p, 25p, 23.98p, 24.00p

  • Slow and Quick Motion

  • XAVC HS

    XAVC HS 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps

    XAVC S

    XAVC S 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, XAVC S HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps

    XAVC S-I

    XAVC S-I 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps,　50fps, 100fps, XAVC S-I HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps

    XAVC S-I DCI

    XAVC S-I DCI 4K: 24.00p: 1fps, 2fps, 3fps, 6fps, 12fps, 24fps, 48fps, [NTSC mode] 59.94p/29.97p/23.98p: 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, [PAL mode] 50p/25p: 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps

  • Recording Playback Time

  • XAVC HS

    [XAVC HS 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 80 minutes, When using CEA-G80T (80GB) Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 100 minutes, When using CEA-G80T (80GB) Approx. 50 minutes, 59.94p/50p 100M When using CEA-G160T (160 GB) Approx. 150 minutes, When using CEA-G80T (80GB) Approx. 75 minutes, 59.94p/50p 75M When using CEA-G160T (160 GB) Approx. 190 minutes, When using CEA-G80T (80GB) Approx. 95 minutes, 59.94p/50p 45M When using CEA-G160T (160 GB) Approx. 290 minutes, When using CEA-G80T (80GB) Approx. 140 minutes

    XAVC S

    [XAVC S 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 80 minutes, When using CEA-G80T (80GB) Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 100 minutes, When using CEA-G80T (80GB) Approx. 50 minutes, [XAVC S HD] 59.94p/50p 50M When using CEA-G160T (160 GB) Approx. 270 minutes, When using CEA-G80T (80GB) Approx. 130 minutes, 59.94p/50p 25M When using CEA-G160T (160 GB) Approx. 430 minutes, When using CEA-G80T (80GB) Approx. 210 minutes

    XAVC S-I

    [XAVC S-I 4K] XAVC S-I 4K 59.94p/50p When using CEA-G160T (160 GB) Approx. 25 minutes, When using CEA-G80T (80GB) Approx. 10 minutes, [XAVC S-I HD] 59.94p/50p When using CEA-G160T (160 GB) Approx. 75 minutes, When using CEA-G80T (80GB) Approx. 35 minutes

    XAVC S-I DCI

    [XAVC S-I DCI 4K] 59.94p/50p When using CEA-G160T (160 GB) Approx. 25 minutes, When using CEA-G80T (80GB) Approx. 10 minutes

    PROXY AUDIO

    XAVC Proxy: AAC-LC, 128kbps, 2 channels

    PROXY VIDEO

    [XAVC HS HD] MPEG-H HEVC/H.265 1920 x 1080 4:2:0 10bit 16Mbps, 1920 x 1080 4:2:0 10bit 9Mbps, [XAVC S HD]MPEG-4 AVC/H.264 1280 x 720 4:2:0 8bit 6Mbps

  • RAW Output

  • HDMI: 4264 x 2408 (59.94p/50p/29.97p/25p/23.98p), 16bit

  • Other Video Function

  • Audio Level Display, Audio Rec Level, TC/UB, Creative Look, Gamma Display Assist, PAL/NTSC Selector

  • Camera

  • SENSOR TYPE

    35mm full frame (35.6 x 23.8 mm), Exmor R CMOS sensor

    PIXELS

    Approx. 10.3 megapixels (effective) for movies, Approx. 12.1 megapixels (effective) for Still images, Approx. 12.9 megapixels (total)

    SENSITIVITY

    [Movie] ISO 80-102400 equivalent (Expandable to ISO 409600), AUTO (ISO 80-12800, selectable lower limit and upper limit), [Still image] ISO 80-102400 (Expandable to ISO 40- 409600), AUTO (ISO 80-12800, selectable lower limit and upper limit)

    SHUTTER SPEED

    Movie: 1/8000 to 1/4 (1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode) Still image: 1/8000 to 30 sec, Bulb

  • White Balance Modes

  • Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Color Temperature (2500 to 9900K) & color filter / Custom

  • Gamma Curve

  • Off / PP1-PP11, Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset

  • Latitude

  • 15+ stop (S-Log3)

  • Focus System

  • Type

    Fast Hybrid AF (phase-detection AF / contrast-detection AF)

    FOCUS POINT

    [Movie] 627 points, [Still image] 35mm full frame: 759 points (phase-detection AF)

    SENSITIVITY RANGE

    EV-6 to EV20 (ISO100 equivalent with F2.0 lens attached)

    FOCUS MODE

    [Movie] AF-C, MF, [Still image] AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus

    FOCUS AREA

    [Movie] Wide / Zone / Center Fix / Spot / Expanded Spot [Still image] Wide / Zone / Center Fix / Spot / Expanded Spot / Tracking

    OTHER FOCUS FEATURES

    Eye AF ([Movie] Human (Right/Left Eye Select, [Still image] Human (Right/Left Eye Select) / Animal), [Movie] AF Subj. Shift Sensitivity, [Movie] AF Transition Speed, [Still] AF Track Sens., Face detection (Face Priority in AF), Face Priority in Multi Metering, Regist. Faces Priority, Focus Magnifier (35mm full frame: 2.1x / 4.1x APS-C: 1.5x / 3.0x)

  • Exposure Control

  • METERING SENSITIVITY

    EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)

    EXPOSURE MODES

    [Movie] Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode, [Still images] Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M)

  • Recording Still Images

  • RECORDING FORMAT

    JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)

    IMAGE SIZE

    Image size [3:2] 35mm full frame L:12M, M:5.1M, S:3.0M, APS-C L:5.1M, M:3.0M, S:1.3M, Image size [4:3] 35mm full frame L:11M, M:4.6M, S:2.7M, APS-C L:4.6M, M:2.7M, S:1.1M Image size, [16:9] 35mm full frame L:10M, M:4.3M, S:2.6M, APS-C L:4.3M, M:2.6M, S:1.1M, Image size [1:1] 35mm full frame L:8M, M:3.4M, S:2.0M, APS-C L:3.4M, M:2.0M, S:0.8M

  • Playback

  • Index view, Folder selection (Date / Still / Movie), Photo capture, 4Ch audio monitoring, Auto Review (stills), Image orientation (stills), Protect (stills), Rating (stills), Display as Group (stills)

  • Interface

  • TC INPUT/TC OUTPUT

    Multi/Micro USB, TC IN

    AUDIO INPUT

    3.5 mm Stereo minijack, XLR handle: [INPUT1][INPUT2] XLR/TRS-type 3-pin(female) (x2), line/mic/mic +48V selectable, Mic Reference -40 to -60 dBu / [INPUT3] 3.5 mm Stereo minijack)

    USB

    USB Type-C

    HEADPHONE OUTPUT

    Yes (3.5 mm Stereo minijack)

    SPEAKER OUTPUT

    Built-in, monaural

    HDMI OUTPUT

    HDMI jack (Type-A), YCbCr 4:2:2 10bit / RGB 8bit

    MULTI INTERFACE SHOE

    With Digital Audio Interface

    Bluetooth

    Bluetooth Standard Ver. 5.0 (2.4GHz band))

  • Media

  • CFexpress Type A / SD card (x2), Simult. Rec, Sort, Auto Switch Media, Copy

  • Monitor

  • LCD

    7.5cm (3.0-type) type, approx. 2.36M dots, touch panel, Opening Angle:Approx. 176 deg., Rotation Angle:Approx. 270 deg.

  • Microphone

  • Built-in, stereo

  • File System

  • FAT12, 16, 32, exFAT

  • Zoom

  • ZOOM FUNCTION

    Zoom ring rotate, Clear Image Zoom ([Movie] Approx. 1.5x (4K), Approx. 2x (HD) [Still image] Approx. 2x ), Digital zoom ([Movie] 35mm full frame: approx. 4x, APS-C: approx. 4x, [Still image] 35mm full frame: L: approx. 4x, M: approx. 6.1x, S: approx. 8x, APS-C: L: approx. 4x, M:approx. 5.2x, S: approx. 8x), Smart zoom ([Still image] 35mm full frame: M: approx. 1.5x, S: approx. 2x, APS-C: M:approx. 1.3x, S: approx. 2x)

  • Still Image Function

  • SHUTTER

    Mechanical shutter / Electronic shutter

    DRIVE MODES

    Single Shooting, Continuous shooting (Hi+/Hi/Mid/Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket

    CONTINUOUS SHOOTING SPEED

    Hi+: 10 fps, Hi: 8 fps, Mid: 6 fps, Lo: 3 fps

    NOISE REDUCTION

    Long exposure NR: On/Off, available at shutter speeds longer than 1 sec., High ISO NR: Normal / Low / Off

    FLASH CONTROL

    Sony α System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe, Flash sync speed 1/250 sec.

    OTHER STILL IMAGE FUNCTION

    Electronic Front Shutter Curtain, Silent Shooting, Anti-flicker Shoot

  • Image Stabilization

  • Type

    Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)

    MODE

    [Movie] Active / Standard / Off, [Still image] On / Off

    COMPENSATION EFFECT (STILL IMAGES)

    5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50mm F1.4 ZA lens mounted. Long exposure NR off.)

  • Custom Functions

  • Custom key settings, My Menu, My Dial Settings, Reg. Custom Shoot Set

  • Lens Compensation

  • Shading, Chromatic Aberration, Distortion, Breathing (Movie)

  • Wifi Nfc Frequency Band

  • SUPPORTED FORMAT

    IEEE 802.11a/b/g/n/ac

    FREQUENCY BAND

    2.4GHz band/5GHz band

    SECURITY

    WEP/WPA-PSK/WPA2-PSK

    NFC

    ー

  • FTP Transfer

  • Wired LAN (USB-LAN), USB Tethering, Wi-Fi

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