Atomos Shogun Ultra 7" Monitor-Recorder


Product Highlights

  • AtomOS 11, 12G-SDI/HDMI Conversion
  • 7" 1920 x 1080 Touchscreen
  • Records up to 8K Apple ProRes Raw
  • ProRes Raw + H.265 Dual Recording
  • AirGlu RF Wireless Sync, GigE, 6E Wi-Fi
  • 2000 cd/m² Brightness
  • ARRI/Canon/RED/Sony Camera SDI Support
  • AVID DNX QuickTime
  • Atomos RemoteView via Subscription
  • NDI 4K TX Pro Mode 1-Off Activation
$1,777.00 (inc GST)



Complete connectivity



Shogun Ultra is your gateway to amazingly fast and productive cloud workflows. So much more than a super-bright monitor recorder, it takes you to new heights of productivity and collaborative creativity. Work faster, work better.


Every Nuance


All the connectivity you’ll ever need

Solid Internet

Network connectivity with Wi-Fi 6E and GigE.

Wireless Sync

Long-range robust wireless sync and control with AirGlu RF.

Third-party Sync

Third-party sync and app control with Bluetooth AirGlu BT.

USB-C Port

For future updates.

More Power Options

Multiple power options with NP battery slot and separate 2.1mm locking jack DC input.


Separate SDI Out for comprehensive SDI<>HDMI cross-conversion.


Super bright

Shogun Ultra’s super-bright, large 7-inch screen is viewable in almost every kind of light. Indoors, outdoors, or anywhere you need critical, viewable, instant feedback on your images. With 2000 nits brightness, it’s ideal for checking your HDR footage while you’re still on set. Or play back your recently captured shots on the same pristine screen for review or even upload to the cloud.


What’s new, at a glance.

Brand New OS

New AtomOS 11 - faster, cleaner, with more features

More Codecs Included

6K ProRes RAW, ProRes, DNxHD & H.265 - all for free

Dual Record

Dual 4Kp60 ProRes RAW & proxy recording for Cloud

4K H.265 Recording*

Record & upload high bitrate 4K files to the Cloud
*Available when subscribing to Classic and Premium Atomos Cloud Services

SDI Cine

Auto-matched filenames from ARRI, Canon, RED 
& Sony cameras.

Wi-Fi 6

Fast, stable connection 
to the internet


Share live camera views from your Shogun’s screen over the public internet

Improved Monitoring

With EL ZONE System™ exposure and ARRI false color

Premium Options


Atomos Care360

Premium extended warranty that covers unforeseen damage


Choose your workflow

Shogun Ultra has two faces: Local and Cloud. Use it conventionally, and you have an incredible HDR screen, new monitoring tools and both HDMI and 12G-SDI. Turn on its wireless and network capabilities, and you have access to new and productive cloud workflows like camera to cloud and Atomos Edit. You can even edit your project in the cloud and publish it directly to social media within minutes of shooting the action.


Enhance your camera

Shogun Ultra can capture RAW inputs up to 8K at 30fps, 6K at 60fps and 4K at 30fps and simultaneously output a standard viewable video signal via HDMI or SDI for devices that don’t support RAW formats. With a super bright 2000nit 7-inch SuperAtom IPS touchscreen for clear images and easy accessibility to the features in AtomOS, Shogun Ultra has a new operating system and user interface.


The Ultimate

In addition to network and SDI connectivity, you get access to super-efficient cloud workflows, and you can cross-convert between HDMI and SDI. Take advantage of the new, ultra-fast and reliable WiFI 6E for more stable connections. Shogun Ultra, which can be remote-controlled over Bluetooth with AtomRemote App, is the most practical and affordable way to stream, transfer and edit in the cloud.


nits of brilliance




up to 4Kp120



SegmentPro is another powerful new tool exclusive to our completely redesigned AtomOS 11 operating system. It allows you to segment/split long recordings into user-defined chunks, adding even more flexibility to the production workflow. The segmenting can be defined by setting a custom file size limit, in GB or TB, or by time, all without dropping a frame.

With SegmentPro you can fit your files into any workflow – even those that require smaller media (for example, if you are going to edit on an iPad). It’s easier to share smaller files, and safer too: if you lose a big file, you’ve lost everything. Working with smaller files minimizes this risk.


Capture simultaneously up to 4K 60p ProRes RAW and HD 60p H.265

Record full-quality files in ProRes RAW up to 4K 60p while at the same time recording HD 60p to H.265. It’s the best of both worlds. Boost your productivity by storing your definitive copy in ProRes RAW ready for your post-production workflow, and use your H.265 copy for your camera to cloud activities.


Publish from the cloud

Record higher-quality media for instant publishing. The new 4K camera to cloud mode lets you record and upload much higher quality H.265 video with higher framerates.* H.265 files are half the size of H.264 media. They’re small enough for camera-to-cloud workflows but more than good enough for immediate use on social media, sports reporting or news gathering. It’s the fastest way to get your video in front of your viewers (requires Atomos Cloud Studio (ACS) subscription). It also a super useful mode to record proxies at up to 4K 60p to match an original in-camera (OCF) file.

*Classic or Premium Atomos Cloud Studio subscription required.


Multiple Codecs

The new Shogun line includes these codecs free of charge, so you can choose the ideal codec for your projects.

  • Apple ProRes
  • Apple ProRes RAW
  • H.265
  • DNx (QuickTime)

Apple ProRes is pre-activated to use out of the box, so you can start shooting immediately. To activate H.265 and DNx, visit to register your Shogun and follow the simple online instructions.

To activate Apple ProRes RAW, you need to go to There is a small additional step to get an activation token to access the codec for free. Simply plug in your compatible RAW camera to complete the process. You only need to do it once to unlock this super-flexible and unique codec without time restrictions.


NDI HD and 4K TX

4k TX is a paid option.

NDI is a way to send video over ordinary networks (including Wi-Fi and mobile) in high quality but with remarkably low bandwidth requirements. It’s increasingly used in live production, and now your Shogun Ultra can take part in an NDI environment. The NDI TX option turns your Shogun Ultra into an 
NDI source, visible to all other authorized devices 
on the network.


Original camera filenames
over SDI

Automatically match filenames, timecode and record triggers from ARRI, Canon, RED and Sony cameras. Previously, camera to cloud relied on matching filenames with hero and proxy files made by AtomOS. Now, thanks to cooperation with ARRI, Canon, RED 
and Sony, Atomos C2C files are matched back to the original in-camera (OCF) filenames. This gives a joined-up process when conforming C2C or SSD proxy files 
in the edit with camera files. On camera or Atomos: it’s your choice.


Any camera,
any format.

Pair Shogun Ultra equally well using SDI or HDMI with smaller cameras as part of a minimal setup or with full-size camera rigs on large-scale productions. Shogun Ultra is made from precision materials with a solid aluminium frame, crafted for maximum durability. Weighing only 730g (1.6lbs), you can use it comfortably with a handheld camera. Shogun Ultra includes anti-rotational ⅜ – 16 mount points on the top and bottom. It ships with a ¼ – 20 adaptor for easy mounting on industry-standard equipment from a wide range of manufacturers.



Atomos RemoteView lets you share incoming video on your Atomos screen with other Atomos monitors, as well as with iPads, Macs and Apple TVs wirelessly. You can monitor what’s happening on-set and look through any connected camera taking the shot from anywhere in the world.


Global, low
latency video

Remote view doesn’t need expensive hardware and uses the public internet, so it’s global. But Atomos technology ensures there are no delays. You can receive up to four RemoveView feeds on a single screen. It’s all configurable from a simple web interface. Atomos RemoteView needs an Atomos Connect but no additional hardware.

Powered by a unique combination of AtomOS 11 and Atomos Cloud Studio, you can share with the person standing next to you or someone across the globe just as easily.


Secure and personalized

For absolute security, you can burn a watermark into each remote video feed, so there’s no risk of copying. You can also brand your footage with your own or your customer’s logo. Or put the movie name, date, type of camera – any information you think will be helpful, burnt into your remote feeds.

Atomos RemoteView requires a subscription to Atomos Cloud Services. It uses Atomos Credits for a simple “pay as you go” service.


Stream from Anywhere

Shogun Ultra supports live streaming to a range of online services including Acebook Live, Twitch, YouTube, and custom RTMP/S. With Wi-Fi 6E, Gigabit Ethernet, and the ability to join cellular hotspots all built-in, Shogun CONNECT helps filmmakers, streamers, and video content producers reach their audience from anywhere.

Key Features

  • Support for more camera models with 12G-SDI
  • SDI input to HDMI output conversion
  • Wi-Fi 6E and 1GbE Ethernet
  • Stream to Facebook, Twitch, YouTube, and custom RTMP/S services
  • Share media with the camera to cloud (C2C) and Atomos Edit
  • Live stream an HDMI or SDI source into Atomos Live Production or RemoteView
  • Synchronize cameras, audio recorders, and applications with AirGlu™
  • Support for AtomRemote app
  • Add major features without adding significantly to the overall footprint


A complete monitoring toolbox

Shogun Ultra includes comprehensive monitoring tools to help you get the perfect composition and exposure in every shot. Easy-to-use but powerful tools include waveform, focus peaking, multiple false color tools, zoom controls, custom LUTs, and frame guides. Shogun’s new AtomOS 11 software is simple to update with new features and releases – as well as support for new cameras.


Evaluate the brightness of your image, regardless of the color

Aspect Ratios

Easily switch between aspect ratio guides for instant and accurate framing

Anamorphic De-squeeze

Compensate for non-spherical anamorphic lenses to show a visually corrected wide-screen image

False Color

New with AtomOS 11: ARRI False Color and EL ZONE System

Custom Frame Guides

Frame shots with confidence, for social media or cinematic productions

What's in the box?

  • 1 x Shogun Ultra
  • 1 x USB-C PD to DC Adapter Cable
  • 1 x Master Caddy III, 1 x RF Antenna
  • 2 x Wi-Fi Antenna with Black Caps
  • 5 x Colored Antenna Cap
  • 3 x Antenna Mount Covers
  • 1 x 3.5mm Audio Jack-to-Jack Cable
  • 1 x Quick Start Guide
  • Physical
  • Dimensions (W x H x D mm)

    198mm x 133mm x 40mm / 7.8″ x 5.2″ x 1.57″


    730g / 1.6 lbs

    Mounting Points

    Top: 1 x 1/4"20 or 3/8" with anti rotational points, Bottom: 1 x 1/4"20 or 3/8" with anti rotational points, Right: 1 x 1/4"20 or 3/8" with anti rotational points

  • Environmental
  • Ambient operating temperature

    Up to 40 Degrees Celsius

  • Construction
  • Body

    Aluminium Alloy Chassis with ABS Polycarbonate Rear Enclosure


    Heat Sink + Actively controlled Fan

    Tally light

    LED on the Rear of the Device

    Multi-Function Button

    Power / Lock Screen

    Touch Screen

    Capacitive Touch

  • Power
  • Input Voltage

    6.2V to 16.8V

    Compatible Batteries

    1 x NP-F / L-Series

    DC in Connector

    Locking DC Jack (5.5mm OD & 2.1mm ID)


    Via optional D-Tap to DC-Barrel cable

    Fan Control

    Low, Medium, Auto / Turbo Cool / Dim Display

  • Display
  • Display Panel

    SuperAtom IPS Panel (Capacitive Touch)




    1920 x 1200 (1920 x 1080 Image Display)

    Viewing Angle

    178 + H & V




    10-bit (8+2 FRC)

    Backlight Type


    Brightness (cd/m²/ nits)

    2000nit +/- 10%

    Aspect Ratio

    16:10 (16:9 Image Display)

    Color Gamut


    Calibration Support

    ATOMOS Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus

  • Color Pipeline
  • Gamma

    Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Arri LogC4, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log, Z CAM Z-Log2, Olympus OM-Log400 / Flat, Leica L-Log


    BT2020, DCI P3, PDCI P3 65, Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut

    3D LUT Display

    .Cube Format (17 & 33 points supported)

    3D LUT Output

    Loop out

    3DLUT 50/50

    Via Compare Option in LUTs Menu

    Monitoring Modes

    Native / 709 / HLG / PQ / 3D LUT

    HDR Output Conversion

    HLG / PQ

  • Color Management
  • Calibration

    ATOMOS Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus

    Display Controls

    Backlight, Lift, Gamma, Gain


    Built-in Technical Log to HDR EOTF

    3D LUTs

    Load .Cube files from SSD into 8 LUT Slots On-Device – Use for Monitoring, bake into Recordings (optional), or apply to HDMI / SDI Output Signals


    Full to Legal Range Conversion available via Input Menu

  • Video Input
  • HDMI

    1 x HDMI 2.0


    1 x 12G SDI

    Bit Depth

    8/10-Bit for Video / up to 12-Bit for RAW

    Video Chroma Subsampling

    YCbCr 4:2:0 & 4:2:2


    HDMI Auto Detection

  • Metadata
  • HDMI

    RAW – White Balance, Exposure Index, Shutter Speed/Angle, Iris/F-Stop, ISO, Gamma, Gamut


    File Name – Arri, Canon, RED, Sony. RAW – White Balance, Exposure Index, Shutter Speed/Angle, Iris/F-Stop, ISO, Gamma, Gamut

  • File Naming
  • Standard

    Scene/Shot/Take & Rolling Scene/Shot/Take

    Via SDI

    Auto-matched filenames from supported Arri, Canon, RED & Sony Cameras

  • Video Output
  • HDMI

    1 x HDMI 2.0

    SDI Loop / Play Out

    1 x 12G SDI

    Video Chroma Subsampling


    Bit Depth



    Yes with auto-detection

  • Network
  • Ethernet

    1GbE via RJ45


    Wi-Fi 6E

    Wireless RF

    AirGlu™ SYNC Timecode Network

    Atomos Cloud

    Capture to Cloud (AtomosEdit,, Sony CI Media), Live Stream (Facebook, Twitch, YouTube, Custom RTMP), Atomos Live Production


    Connect to Hotspot via Wi-Fi

  • Web Streaming
  • RTMP / S

    Destination configured via Atomos Cloud Studio

  • Video Signal Conversion
  • HDMI to SDI


    SDI to HDMI


  • Audio In/Out
  • Audio Quality

    24-Bit / 48kHz

    Audio Codec



    8ch 24-Bit, Input dependent


    12ch 24-Bit, Input dependent

    Analog Audio In

    3.5mm Jack

    Analog Audio Out / Headphone Jack

    3.5mm Jack

    Audio Input Delay

    Frame Delay on Analog Input + Automatic Offset Calibration via AtomOS

  • Timecode Sync
  • HDMI Embedded


    SDI Embedded


    Time of Day


    Wireless SYNC

    AirGlu™ SYNC timecode network

    RF Network Range


    RF Frequency

    Region dependent

    Number of Channels

    12 RF channels per Region

    Number of RF Clients

    Region dependant

    Bluetooth Network Range

    10-15m (Line of Sight)

    Number of BT Clients

    2 Clients

  • Resolution And Frame Rates
  • 8K RAW

    up to 8Kp30 via HDMI

    6K RAW

    up to 6Kp60 via HDMI & 6Kp30 via SDI

    4K RAW

    up to 4Kp120 via HDMI / SDI

    3.5K Anamorphic RAW

    up to 3.5Kp60 via HDMI

    2K RAW

    up to 2Kp240 via SDI

    4K DCI

    up to 4Kp60

    4K UHD

    up to UHDp60

    2K DCI 2048 x 1080

    up to 2Kp60 via SDI

    FHD 1920 x 1080 Progressive

    up to 1080p120

    FHD 1920 x 1080 PsF

    Only via Pulldown to Progressive

    FHD 1920 x 1080 Interlaced

    1080i50 / 1080i60

    1280 x 720p

    up to 720p60

  • Recording Codecs
  • Apple ProRes RAW

    ProRes RAW & RAW HQ

    Apple ProRes

    HQ, 422, LT

    Avid DNxHD

    220x, 220, 145, 36 (.MOV Wrapper – .MXF Support coming soon)

    Avid DNxHR

    HQX, HQ, SQ, LB (.MOV Wrapper – .MXF Support coming soon)


    XQ, HQ, MQ, LQ (.MOV Wrapper)

  • Recording Functions
  • Camera to Cloud

    H.265 uploaded to Atomos Edit, Adobe, Sony CI Media

    Simultaneous Proxy Recording

    ProRes RAW / ProRes / DNx + H.265 Proxy in C2C Mode

    Pre-roll Recording

    8s HD / 4s 4K – ProRes & DNx only



    Gang Control

    Via AirGlu™ SYNC Timecode Network

    Scheduled Recording

    At a specified Time of Day or after a specified Time has elapsed

  • Playback
  • Playlist

    Selected Clips, Favorites, or Combined


    Supported, with user-customizable In / Out Markers

    Apple ProRes RAW

    Recorded clips only

    Apple ProRes

    HQ, 422, LT (Linear PCM Audio only)

    Avid DNx

    DNxHD: 220x, 220, 145, 36 – DNxHR HQX, HQ, SQ, LB (Linear PCM Audio only)


    Recorded clips only

    Scheduled Playback

    At a specified Time of Day or after a specified Time has elapsed

  • Supported Media
  • Master Caddy I

    Not Supported

    Master Caddy II


    Master Caddy III




    CFast 2.0

    Supported via optional AtomX CFast 2.0 Adapter


    Capture to Cloud via Atomos Cloud Studio

    File System



    SATA 3.0

  • On Screen Tools
  • Waveform

    3 Sizes – Adjustable Opacity & Brightness

    RGB Parade

    3 Sizes – Adjustable Opacity & Brightness

    Vector Scope

    2 Sizes – Adjustable Opacity & Brightness

    1 x Zoom

    Tap to Zoom

    2 x Zoom

    Tap to Zoom

    Focus Peaking

    3 Modes (Color, Black & White, Outline) with adjustable Outline Color & Peaking Intensity


    Adjustable Threshold (50% to 105%)

    Isolate Color Channel

    Blue Only

    Cine Frame Guides

    6 Presets & Custom Frame Guide Calculator

    Social Frame Guides

    4 Presets & Custom Frame Guide Calculator

    Safe Areas

    SMPTE Safe Title Area – 93% & 90%

    Grid Markers

    9 Grid

    Anamorphic Desqueeze

    2x, 1.8x, 1.79x, 1.65x, 1.6x, 1.5x, 1.33x, 1.25x

    Display Flip


    Colorized Exposure

    Atomos False Color, EL Zone System, Arri False Color

    Frame Grab + Onion Skin Overlay

    Capture lossless 1920 x 1080 Pixel Frame Grab & Overlay with various Position + Transparency Options

  • Onboard Signal Processing
  • 4K UHD Downscale for HD

    Available on loop-out

    DCI Crop

    Available on loop-out

    8K RAW to 4K Video Loop Out

    Available on loop-out

    Interlaced to Progressive

    2:2 & 3:2 Pulldown

    PsF to Progressive

    2:2 & 3:2 Pulldown

    NDI HX2 TX (HD)

    $99 optional Activation available via

    NDI HX2 TX (4K)

    $199 optional Activation available via

  • Remote Control
  • HDMI

    Trigger Recording via Camera Record Button – Supported Protocols: Canon, Sony, Atomos Open Standard, Timecode (Rec Run)


    Trigger Recording via Camera Record Button – Supported Protocols: Arri, Canon, Ikegami, JVC, Panasonic, RED, Sony, Timecode (Rec Run) (optional Atomos Connect Accessory required)

    Serial 2.5mm Jack

    Start & Stop Recording via compatible LANC Remotes – Calibration via optional USB to Serial Cable

    Bluetooth LE

    via AtomRemote App

    Wireless RF

    AirGlu™ Gang Control

  • External Device Control
  • Serial 2.5mm Jack

    Z CAM Camera Control via Remote to USB-C Cable

  • Cut & Tag

    Up to 10 Tags supported for each Clip

  • Supported Applications
  • XML

    Apple Final Cut Pro (.fcpxml)

    Apple ProRes RAW

    Apple Final Cut Pro, Adobe Premiere, Avid Media Composer, Grass Valley Edius, ASSIMILATE SCRATCH, FilmLight Baselight

    Video Codecs

    All NLE applications that support Apple ProRes, Avid DNx and H.265 in .MOV Wrapper

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