PRE-ORDER: Sony ILME-FX2 Full-frame Cinema Line Camera (Body + XLR Handle Unit)
Product Highlights
- Full-frame Exmor R™ CMOS sensor and BIONZ XR™ image processor engine
- 15+ stops recording with S-Log3 and Dual base ISO (800/4000) for high-level grading
- Compact body ideal for handheld shooting, and expandability with built-in accessory mount points
- The Log shooting mode for stills for the same post production workflow with videos
- Three Log modes available — Flexible ISO, Cine EI, and Cine EI Quick for creative flexibility
- An adjustable-angle EVF and a BIG6 (Home) screen for comfortable shooting
PREORDER from 2 June to 22 July 2025
FREE with Purchase:
- Sony SF-M 128GB Tough SD Card
- Sony NP-FZ100 Battery
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A new versatile tool for cinematic expression
As a gateway into a professional filmmaking career, the FX2 is a full-frame camera in the Cinema Line that inherits the visual philosophy of Sony's top-level VENICE series. Adopting the compact design, user interface, expandability, and reliability synonymous with Sony Cinema Line, it’s ideal for solo shooting and introduces enhanced still image functions designed to support filmmaking.
For that professional cinematic look
The FX2 is the newest Cinema Line camera, designed to support professional filmmaking. By combining the high image quality of a full-frame sensor with cinematic and expressive tools modelled on Sony’s flagship VENICE 2 cinema camera, you have all the tools you need to bring your creative visions to life.
Cinematic expression with a full-frame sensor
The full-frame FX2 delivers stunning cinematic imagery, blending high resolution with beautiful bokeh. Equipped with a back-illuminated Exmor R™ CMOS sensor supported by our BIONZ XR™ image processing engine and advanced AI processing unit, the camera offers high sensitivity, wide latitude, and 33 MP1 resolution, giving ambitious cinematic visionaries everything they need.
Outstanding image quality for maximum editing flexibility
The FX2's full-frame sensor produces footage with smooth, natural gradations thanks to 15+ stops of latitude when recording with S-Log, ensuring even high-contrast scenes are captured in full detail. Base ISO for S-Log3 capture can be set to 800 or 4000, and the camera supports S-Gamut3/S-Gamut3.Cine color gamuts for broad compatibility. It all adds up to make editing more efficient when shooting with multiple cameras.
Log recording modes for production flexibility
For creative flexibility, three modes are available for Log recording — Flexible ISO, Cine EI, and Cine EI Quick — with Cine EI being widely used in professional filmmaking for footage that requires more intensive post-production work. 3,4 Based on the shooting environment, choose a base ISO of either 800 or 4000 to maintain maximum latitude throughout the shoot, allowing specific tonal ranges to be enhanced in post-production to achieve your desired cinematic look.
Multiple recording formats for versatile shooting and editing
7K oversampling is used with full-pixel readout and no pixel binning when shooting full-frame 4K (QFHD: 3840 x 2160), and 4K 60p (59.94p) recording is available in Super 35mm mode. With 10-bit depth, 4:2:2 color sampling, an efficient MPEG-H HEVC/H.265 codec, and Intra recording including DCI-4K (4096 x 2160), outstanding quality is assured.
[1] Recording format [2] Shooting frame rate [3] Recording frame rate [4] When recording in XAVC HS format, 29.97p or 25p is not available.
Import up to 16 user LUTs
With the FX2, LUTs can be imported and applied to the LCD monitor and the electronic viewfinder while shooting or playing back movies. Up to 16 user LUT files can be imported from memory cards or Sony’s Creators’ Cloud and selected as needed. The LUT used for recording can then be embedded in the video metadata for post-production.
Create moods right in the camera
Picture Profile presets make it easy to adjust color and gradation to create a variety of moods in camera. These include the invaluable S-Cinetone™, which produces beautiful skin tones. Imported user LUTs can be registered as PPLUT 1 to 4 and applied during recording, and an expanded range of 12 Creative Look profiles, including FL2 and FL3, offers a comprehensive selection of visual moods for many recording needs.
Desqueeze display for anamorphic lenses
Anamorphic lenses are a popular choice for creating a distinctly cinematic look. The FX2 is equipped with a desqueeze display mode that allows monitoring in the standard CinemaScope aspect ratio of 2.93:1 while shooting with anamorphic lenses. It offers 1.3x and 2.0x desqueeze settings, and Sony’s Monitor & Control app provides even more detailed settings for monitoring on a tablet or other external display devices.
Frame rate freedom
An FPS menu inherits features from Cinema Line's higher-end models, including a [Variable] setting that allows intuitive frame-rate control: up to 2.5x slow motion11 at 4K resolution, or up to 5x slow motion when recording in Full HD at up to 120 fps.
An extensive range of expressive E-mount lenses
Sony offers a range of more than 70 high-performance E-mount lenses, including ultra-wide angles, super telephoto zooms, exquisite primes and powered zooms. Combine with Sony's original microphones for outstanding sound quality and choose from a variety of other accessories to bring your creative vision to life.
Designed for solo shooting
Combining video features from current Cinema Line cameras with enhanced functions for stills that support filmmaking, the FX2 is designed to handle solo shooting in a wide range of circumstances, giving you maximum flexibility.
Compact and lightweight with built-in accessory mount points
With the same compact flat-top design as the Cinema Line FX3 and FX30, the FX2 is ideal for handheld shooting as well as gimbal and drone mounting. The magnesium alloy exterior has 1/4-20 (UNC) screw holes in three locations for mounting accessories, and two additional screw holes are located on the bottom panel for secure tripod mounting.
AI-based Real-time Recognition AF
Equipped with a powerful AI processing unit, the FX2 is capable of Real-time Recognition AF for humans, animals, birds, vehicles, and even insects. A detection frame indicates the recognized subject, and tracking can be initiated simply by touching the subject on the monitor screen. Advanced human pose estimation technology accurately recognizes subject movement, and human eye recognition has been improved by about 30% compared to the FX3/FX30.
Fine-tuned focus control
AF Assist allows seamless switching to manual focus for smooth focus transitions, while a range of 7 autofocus transition speed settings and 5 sensitivity settings offer detailed control. Focus Map makes it easier to visualize depth of field by overlaying focus info on the live view display, and the Breathing Compensation function can significantly enhance image stability.
Automatic framing using advanced AI
The FX2's Auto Framing feature automatically crops and tracks a subject to keep them in a prominent position when the camera is mounted on a tripod, producing footage that looks like it was shot by an experienced operator. The Framing Stabilizer function automatically keeps the subject in the same position within the frame, which can be useful, for example, when the camera operator is moving alongside the subject.
Stabilization for dynamic handheld shooting
Active Mode boosts stabilization while walking and shooting. For even faster-paced shooting, there’s Dynamic active Mode, which utilizes electronic stabilization for as much as 30% greater effect, making it possible to shoot stable footage even when running around. Corresponding stabilization metadata is embedded in the footage for efficient post-production.
Stills at the flip of a switch
A single switch selects MOVIE or STILL mode and instantly recalls all the corresponding settings. In addition to providing 33 MP resolution and continuous bursts at up to 10 fps, the camera is equipped with a [Creating still images from Shot Marks] function that allows you to snap stills while recording or playing video that has a previously imported user LUT.
Visual consistency across stills and videos
The Log mode is also available for stills, making it possible to shoot JPEG and HEIF still images with the S-Log3 gamma curve used during a video shoot, so the same workflow can be easily applied during post production. Transform your stills in editing applications such as Blackmagic DaVinci Resolve, ready for a variety of uses while maintaining the same look.
Operability for professional filmmaking
The FX2 is designed for maximum operability during professional use, supporting a smooth workflow throughout production.
Tiltable high-definition electronic viewfinder
Keep focused on shooting even in bright or distracting environments, thanks to an OLED viewfinder with approximately 3.68 million dots. Magnification is 0.70x (50mm lens, infinity focus, -1m-1 diopter), and the angle of view and eyepoint are optimized for video recording. The viewfinder itself can be rotated from 0 ° to +90° for easy viewing at just about any angle, and the eye cup can be removed or reversed left-to-right as necessary.
Frequently used parameters all in one place
The FX2 inherits the BIG6 (Home) screen from high-end CineAlta cameras such as VENICE, which allows you to easily monitor six essential parameters in MOVIE mode: FPS (frame rate), ISO, Shutter (speed/angle), Aperture or ND Filter, Look, and White Balance. The BIG6 (Home) screen contributes to smooth, intuitive operation and provides quick access to Variable/Fixed parameters.
Effective heat management
Enjoy uninterrupted video recording time for formats up to 4K 59.94p. Heat buildup is prevented through a combination of an internal cooling fan, a highly thermal conductive graphite material used in the image stabilization unit, and an innovative design that allows ample air intake even when the LCD monitor is closed. The cooling fan has three modes that can be selected according to shooting conditions: Auto, Minimum, and Off while Recording.
Plenty of power for long shoots
A high-capacity NP-FZ100 battery and effective power management provide up to 100 minutes of actual video time or up to 155 minutes of continuous shooting. For longer shooting times, continuous power can be supplied from a power adaptor or a mobile battery that supports USB Power Delivery (PD). The optional DC-C1 DC Coupler can supply stable power without occupying the camera’s USB Type-C® terminal.
Digital audio without degradation
With an XLR Handle Unit XLR-H1 attached, the FX2 can record high-quality audio via two XLR connectors and a digital audio interface without the need for extra batteries or cables. Microphones equipped with XLR connectors are available separately. Four-channel audio, 24-bit recording, and other settings can be easily applied.
Easy live streaming
The FX2 is also a great choice for live streaming to a computer via USB (UVC/UAC) or a wireless or wired LAN network. You can stream up to 4K (3840 x 2160) 59.94p video via LAN while simultaneously recording to the camera’s memory card. LAN streaming protocols include RTMP, RTMPS, and SRT.
CFexpress Type A memory card support
Two card slots support SDXC/SDHC UHS-II/UHS-I memory cards, with one also supporting CFexpress Type A cards, giving you plenty of options for stable and reliable high-bitrate recording. Select the recording mode to suit your needs: video and stills can be recorded to different cards, recording can be automatically switched to a second card when the first is full, and more.
4:2:2 10-bit or 16-bit RAW output via HDMI
An HDMI Type-A terminal enables 4K 60p (59.94p) 4:2:2 10-bit or 16-bit RAW video output to an external recorder for flexible post production. 16-bit RAW video is output at 4672 x 2628 resolution (16:9 aspect ratio), which also covers DCI-4K (4096 x 2160), with selectable [59.94p]/[29.97p]/[23.98p]/[24.00p] frame rates. Video output via HDMI can occur simultaneously with proxy recording to an internal memory card.
Monitor & Control
Sony’s Monitor & Control app not only allows intuitive remote operation and image monitoring on a smartphone or tablet screen but also provides waveform and other displays for exposure confirmation and precise focusing. Multi-monitoring is available when multiple cameras are wirelessly connected to a single iPad. All of this can contribute to smoother workflows with a minimal crew.
Catalyst Browse, Catalyst Prepare/Plugin
The Catalyst Browse and Catalyst Prepare apps allow convenient editing of video recorded in Log mode with embedded LUTs. Shot marks and OK/NG/KEEP flags added while recording can also be imported for easier shot selection. Image stabilization, breathing compensation, rolling shutter, and other metadata embedded while recording can be used to make precise corrections during post-production.
Creators' Cloud platform
Creators' Cloud is a platform that supports creative work from shooting to production by combining Sony's advanced camera technology and the cloud. It's also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps for efficient solutions that integrate cameras with shooting and production apps and services.
Cloud Upload (camera direct)
Recorded files can be directly uploaded to Creators’ Cloud storage from the camera without having to transfer via a smartphone or other device. Once in the Creators’ Cloud, data can be transferred to other cloud services such as Google Drive™ or Adobe Lightroom to suit your workflow.
What's in the box?
- 1 x Sony FX2 Digital Cinema Camera
- 1 x Sony XLR-H1 XLR Handle Unit
- 1 x Sony NP-FZ100 Battery (2280mAh)
- 1 x Sony ALC-B1EM Body Cap for E-Mount Cameras
- 1 x Sony Multi Interface Shoe Cap
- 1 x Eyepiece Cup
- Recording Still Images
Image Size (pixels) [3:2]
35mm full frame L: 7008 x 4672 (33 M), M: 4608 x 3072 (14 M), S: 3504 x 2336 (8.2 M)
Image Quality Modes
RAW, JPEG, HEIF (4:2:0 / 4:2:2), RAW & JPEG, RAW & HEIF
14bit RAW
Yes
Recording Format (Still Image)
JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 5.0 format compliant)
- Recording Movie
Video Compression
XAVC HS: MPEG-H HEVC/H.265, XAVC S: MPEG-4 AVC/H.264
Audio Recording Format
LPCM 2ch (48 kHz 16 bit), LPCM 2ch (48 kHz 24 bit), LPCM 4ch (48 kHz 24 bit)
*When using accessories that support 4ch output / 24 bits with the Multi Interface Shoe.
- Recording Formats
Movie Recording Format (XAVC HS 4K)
3840 x 2160 (4:2:0, 10bit) (Approx.)
59.94p (150 Mbps / 75 Mbps / 45 Mbps), 23.98p (100 Mbps / 50 Mbps / 30 Mbps), 50p (150 Mbps / 75 Mbps / 45 Mbps)
3840 x 2160 (4:2:2, 10bit) (Approx.)
59.94p (200 Mbps / 100 Mbps), 23.98p (100 Mbps / 50 Mbps), 50p (200 Mbps / 100 Mbps)
Movie Recording Format (XAVC S 4K)
3840 x 2160 (4:2:0, 8bit) (Approx.)
59.94p (150 Mbps), 29.97p (100 Mbps / 60 Mbps), 23.98p (100 Mbps / 60 Mbps), 50p (150 Mbps), 25p (100 Mbps / 60 Mbps)
3840 x 2160 (4:2:2, 10bit) (Approx.)
59.94p (200 Mbps), 29.97p (140 Mbps), 23.98p (100 Mbps), 50p (200 Mbps), 25p (140 Mbps)
Movie Recording Format (XAVC S HD)
1920 x 1080 (4:2:0, 8bit) (Approx.)
119.88p (100 Mbps / 60 Mbps), 59.94p (50 Mbps / 25 Mbps), 29.97p (50 Mbps / 16 Mbps), 23.98p (50 Mbps), 100p (100 Mbps / 60 Mbps), 50p (50 Mbps / 25 Mbps), 25p (50 Mbps / 16 Mbps)
1920 x 1080 (4:2:2, 10bit) (Approx.)
59.94p (50 Mbps), 29.97p (50 Mbps), 23.98p (50 Mbps), 50p (50 Mbps), 25p (50 Mbps)
Movie Recording Format (XAVC S-I 4K)
3840 x 2160 (4:2:2, 10bit) (Approx.)
59.94p (600 Mbps), 29.97p (300 Mbps), 23.98p (240 Mbps), 50p (500 Mbps), 25p (250 Mbps)
Movie Recording Format (XAVC S-I DCI4K)
4096 x 2160 (4:2:2, 10bit) (Approx.)
59.94p (600 Mbps), 29.97p (300 Mbps), 23.98p (240 Mbps), 50p (500 Mbps), 25p (250 Mbps), 24.00p (240 Mbps)
Movie Recording Format (XAVC S-I HD)
1920 x 1080 (4:2:2, 10bit) (Approx.)
59.94p (222 Mbps), 29.97p (111 Mbps), 23.98p (89 Mbps), 50p (185 Mbps), 25p (93 Mbps)
- Movie Functions
Proxy Recording
Yes
TC/UB
Yes
RAW Output
Yes (HDMI)
Slow & Quick Motion (S&Q)
Yes
- Memory Card Type
Slot 1
Multi-slot for SD (UHS-I/II compliant) memory card / CFexpress 2 Type A card
Slot 2
SD (UHS-I/II compliant) memory card
- Focus System
Type
Fast Hybrid AF (phase-detection AF / contrast-detection AF)
Focus Point
Still images: Max. 759 points (phase-detection AF), Movies: Max. 627 points (phase-detection AF)
Sensitivity Range
EV-4 to EV20 (ISO100 equivalent with F2.0 lens attached)
Other Features
AF Track Sens. (Still), AF Subj. Shift Sensitivity (Movie), AF Transition Speed (Movie), Switch V/H AF Area, AF Area Regist., Circ. of Focus Point, Focus Map (Movie), AF Assist (Movie)
Recognition Target (Still images)
Auto, Human, Animal, Bird, Insect, Car, Train, Airplane
Recognition Target (Movies)
Auto, Human, Animal, Bird, Insect, Car, Train, Airplane
- Exposure Control
Metering Sensitivity
EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)
Metering Type
1200-zone evaluative metering
Exposure Compensation
+/- 5.0 EV (1/3 EV, 1/2 EV steps selectable)
Anti-Flicker Shoot.
Yes
*Anti-flicker Shooting is not available when the [Shutter Type] setting is set to [Electronic Shutter].
ISO Sensitivity
Still images: ISO 100 - 51200 (expandable to ISO 50 - 204800), AUTO (ISO 100 - 12800, selectable lower limit and upper limit) Movies: ISO 100 - 51200 equivalent (expandable to ISO 102400), AUTO (ISO 100 - 12800, selectable lower limit and upper limit)
- Viewfinder
Diopter adjustment
-4.0-+3.0 m-1
Type
1.3 cm (0.5 type) electronic viewfinder (Quad-VGA OLED)
Magnification
Approx. 0.70x (with 50 mm lens at infinity, -1 m-1)
Eye Point
Approx. 33 mm from the eyepiece lens, 27 mm from the eyepiece frame at -1 m-1 (CIPA standard)
Number of Dots
3 686 400 dots
Finder Frame Rate Selection
STD 60fps / HI 120fps
- LCD Screen
Touch Panel
Yes
Adjustable Angle
Opening Angle: Approx. 176 °, Rotation Angle: Approx. 270 °
Type
7.5 cm (3.0-type) type TFT
Number of dots (total)
1,036,800 dots
- Clear Image Zoom
Still images
Approx. 2x
Movies
Approx. 1.5x (4K), Approx. 2x (HD)
- Shutter
Shutter Type
Mechanical shutter / Electronic shutter
SHUTTER SPEED
Still images (Mechanical shutter): 1/4000 to 30 s, Bulb, Still images (Electronic shutter): 1/8000 to 30 s, Movies: 1/8000 to 1 s
Flash Sync. Speed
1/160 s (35mm full frame), 1/200 s (APS-C)
*With a compatible Sony external flash.
Electronic Front Shutter Curtain
Yes
- USB Streaming
Video Data Format
MJPEG, YUV420 *When [Resolution] is set to [HD(720p)], [MJPEG] is only available.
Video Resolution
3840 x 2160 (14.99p / 29.97p), 1920 x 1080 (29.97p / 59.94p), 1280 x 720 (29.97p), 3840 x 2160 (12.5p / 25p), 1920 x 1080 (25p / 50p), 1280 x 720 (25p)
Audio Data Format
LPCM 2ch (16bit 48 kHz)
- Network Streaming
Video Resolution
3840 x 2160 (29.97p / 59.94p), 3840 x 2160 (25p / 50p), 2560 x 1440 (29.97p / 59.94p), 2560 x 1440 (25p / 50p), 1920 x 1080 (29.97p / 59.94p), 1920 x 1080 (25p / 50p), 1280 x 720 (29.97p / 59.94p), 1280 x 720 (25p / 50p)
Video Data Format
MPEG-4 AVC/H.264, MPEG-H HEVC/H.265 *When [Protocol] is set to [RTMP/RTMPS], [MPEG-4 AVC/H.264] is only available.
Audio Data Format
AAC-LC 2ch (16bit 48 kHz)
Protocol
RTMP, RTMPS, SRT
- Lens Compensation
Shading, Chromatic Aberration, Distortion, Breathing (Movie)
- Power Consumption
With Viewfinder
Still images: Approx. 4.2 W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: Approx. 6.6 W (with FE 28-70mm F3.5-5.6 OSS lens attached)
With LCD screen
Still images: Approx. 3.8 W (with FE 28-70mm F3.5-5.6 OSS lens attached) Movies: Approx. 6.3 W (with FE 28-70mm F3.5-5.6 OSS lens attached)
- Weight
Body only
Approx. 594 g
Body only (oz.)
Approx. 1 lb 5.0 oz
With battery and memory card
Approx. 679 g
With battery and memory card (oz.)
Approx. 1 lb 8.0 oz
Including Accessory
Approx. 683 g (battery pack, SD card, Eyepiece cup)
- Dimensions
Dimensions (W x H x D)
Approx. 129.7 x 77.8 x 103.7 mm, Approx. 129.7 x 77.8 x 85.0 mm (from grip to monitor)
Dimensions (W x H x D) (in.)
Approx. 5 1/8 x 3 1/8 x 4 1/8 inches, Approx. 5 1/8 x 3 1/8 x 3 3/8 inches (from grip to monitor)
- Operation
Operating Temperature
0 - 40 ℃ / 32 - 104 °F
Storage Temperature
-20 to 55 ℃ / -4 to 131 °F
- Image Stabilization
Type
Image sensor-shift mechanism with 5-axis compensation (compensation depends on lens specifications)
Compensation Effect (Still Images)
Center 5.0 stops and Periphery 5.0 stops (based on CIPA2024 standard. Pitch/yaw/roll shake only. With FE 50 mm F1.2 GM lens mounted. Long exposure NR off.)
Mode
Still images: On / Off, Movie: Dynamic active / Active / Standard / Off
- Audio
Microphone
Built-in, stereo
Speaker
Built-in, monaural
- Camera Section
Number of Pixels (Effective)
Still images: Approx. 33.0 megapixels max.
Movies: Approx. 27.6 megapixels max.
*Number of effective pixels varies depending on attached lenses and camera settings.Number of Pixels (total)
Approx. 34.1 megapixels
Latitude
15+ stops (S-Log3)
Type
35mm full frame (35.9 x 23.9 mm), Exmor R CMOS sensor
Optical Low Pass Filter
Yes
Color Temperature Range
2500 K - 9900 K
Anti-Dust function
Yes
- Interface
HDMI Output
HDMI connector (Type-A), 4096 x 2160 (59.94p / 50p / 29.97p / 25p / 24.00p / 23.98p) / 3840 x 2160 (59.94p / 50p / 29.97p / 25p / 23.98p) / 1920 x 1080 (59.94p / 50p / 23.98p) / 1920 x 1080 (59.94i / 50i), YCbCr 4:2:2 10bit / RGB 8bit, 4672 x 2628 (59.94p / 50p / 29.97p / 25p / 24.00p / 23.98p), Raw 16bit
Multi-Interface Shoe
Yes (with Digital Audio Interface)
*Sony accessories for the Accessory Shoe can be attached.PC Interface
Mass-storage / MTP
Multi / Micro USB Terminal
Yes
*Supports Micro USB compatible device.Wireless LAN (Built-In)
Yes (Wi-Fi Compatible, IEEE 802.11a/b/g/n/ac (2.4 GHz band/5 GHz band))
*(Configuration method/Access method) WPS or manually /infrastructure mode. When connecting to smartphones, the camera can always work as a base without a wireless access point. (Security: WEP/WPA-PSK/WPA2-PSK/WPA3-SAE)
**Models sold in some countries/regions support IEEE 802.11b/g/n (2.4GHz) wireless LAN only.Bluetooth
Yes (Bluetooth Standard Ver. 5.0 (2.4 GHz band))
Mic Terminal
Yes (3.5 mm Stereo minijack)
Headphone Terminal
Yes (3.5 mm Stereo minijack)
Remote Control (Wireless)
Yes (Bluetooth remote control)
USB Type-C® Terminal
Yes (SuperSpeed USB 10 Gbps (USB 3.2) compatible)
Functions
Send to smartphone, Remote control via smartphone, Remote Shooting
XLR Audio Input
Yes (3-pin (female) x2)
- Playback
Enlarged Image, Protect, Rating, Shot Mark (Movie), Divider Frame, Crop, Photo Capture
- Power
USB Power Supply
Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)
Internal Battery Charge
Yes (Available with USB Type-C terminal. USB Power Delivery compatible)
*Requires USB PD (18W min.) power supply and cable (3A min.) if charging the battery pack while it is inserted into the camera.Battery
One rechargeable battery pack NP-FZ100
Lithium Battery
Yes
Still images
Approx. 470 shots (Viewfinder) / Approx. 520 shots (LCD monitor) (CIPA standard)
*The LCD screen is turned on, shot once every 30 seconds, flash strobe once every two times, turn power off and on once every ten times.Movies (Actual Shooting)
Approx. 90 min (Viewfinder) / Approx. 100 min (LCD monitor) (CIPA standard)
*Indication recording time, which is defined by repeating the cycle: Power on, start recording, zoom, stand-by and power off.Movies (Continuous Shooting)
Approx. 150 min (Viewfinder) / Approx. 155 min (LCD monitor) (CIPA standard)
- Accessibility Functions
Screen Reader, Focus Magnifier, Focus Map (Movie), Peaking Display, Subject Recognition in AF, Touch Focus, Touch Tracking, Touch Shutter Touch AE, Vari-angle LCD screen, Custom function, Enlarge Screen
- Drive
No. of Frame Recordable (Approx.)
JPEG Extra fine L: over 1000 frames, JPEG Fine L: over 1000 frames, JPEG Standard L: over 1000 frames, RAW: over 1000 frames, RAW & JPEG: over 1000 frames RAW (Uncompressed): over 1000 frames, RAW (Uncompressed) & JPEG: over 1000 frames, RAW (Lossless Compressed): over 1000 frames, RAW (Lossless Compressed) & JPEG: over 1000 frames
*Varies according to shooting conditions or memory card used.Continuous Drive Speed (Approx., max.)
Hi+: 10 fps
*Varies according to shooting conditions or memory card used.